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The geoaesthetics of (east) european tristesse. Ulrich Seidl’s Import/Export

Literary scholar David Williams analyzes Ulrich Seidl’s film Import/Export and criticizes Seidl for using and humiliating amateur actors with the aim of telling a story that ultimately only underscores a stereotypical image of the East: as precisely an object of pleasure for the West.

By David Williams Inga kommentarer till Ulrich Seidl’s Import/Export