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Why were there no great Pop art curatorial projects in Eastern Europe in the 1960s?

Whatever might be said of pop art techniques and art-historical discourses used in Hungary, and later in Estonia, (and less frequently in other countries), one would be hard-pressed to say that the 1960s was an era of pop in the region, especially one with North American influences. Why then?

By Piotr Piotrowski Inga kommentarer till Why were there no great Pop art curatorial projects in Eastern Europe in the 1960s?