The film "For Cod’s Sake" shows the bizarre EU management of this now rare gold in an impressive way. While the Polish fisherman on his rickety cutter takes a few hundred kilograms of cod out of the sea illegally, Rickard Sollander, a Swede, is allowed to take 1.5 tons from the water each week with his extremely modern trawler. His huge net invariably catches eight tons. According to EU rules, he must throw nearly seven tons back into the sea, all dead. “You turn your back and try to think about something else”, he says sadly.
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In Michael Madsen’s film Into Eternity, the safe storage of nuclear waste has gone awry: distant descendants of ours from a civilization unknown to us have penetrated the defenses of Onkalo, the final repository of nuclear waste on Finland’s west coast.By Thomas Borchert Inga kommentarer till gone awry
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Andreas Fülberth, Riga: Kleine Geschichte der Stadt, Cologne: Böhlau Verlag, 2014
“Phantom Borders in the Political Geography of East Central Europe”, Erdkunde 69, no. 2 (2015), ed. Sabine von Löwis
Lena Jonson, Art and Protest in Putin’s Russia. London and New York: Routledge 2015, 399 pages.
Helmut Müssener, Wolfgang Wilhelmus: Stettin Lublin Stockholm. Elsa Meyring: Aus dem Leben einer deutschen Nichtarierin im zwanzig-sten Jahr-hundert., 2nd edition. Rostock: Ingo Koch Verlag, 2014.
Richard Sakwa, Frontlinje Ukraina: Krisen i gränslandet mellan Ryssland och Europeiska unionen; Frontline Ukraine: Crisis in the Borderlands, Karneval förlag; London: I. B. Tauris, 2015, 349 pages
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