art

19 articles tagged with art were found.

Christian Brinton: A modernist icon A portrait and a study of the collector

Like the lives of the saints, Brinton consciously crafted his own vita, iconography, and legend by inserting himself within the genealogy of his collection. From the portrait icon to the pious patron, the portraits of Christian Brinton tell us something of not only the actor, but also the narrative of Russian art that the collector constructed.

By Mechella Yezernitskaya Inga kommentarer till Christian Brinton: A modernist icon

Scattering, collecting, and scattering again The invention and management of national heritage in the USSR

It is here claimed that it is practically impossible to determine whether the collector and connoisseur in question (namely Igor Immanuilovich Grabar, 1879—1960) was, indeed, saving his objects from scattering and destruction — or contributing to their further enslavement by exploiting them in a capacity that was radically alien, if not inimical, to their nature.

By Irina Sandomirskaja Inga kommentarer till Scattering, collecting, and scattering again

The avant-gardist Ivan Aksionov. A life marked by ruptures and paradoxes

Vid avantgardets korsvägar: Om Ivan Aksionov och den ryska modernismen [At the cross roads of the avant-garde: On Ivan Aksionov and Russian modernism, Lars Kleberg, Stockholm Natur & Kultur, 2015, 248 pages.

By Ingmar Oldberg Inga kommentarer till The avant-gardist Ivan Aksionov. A life marked by ruptures and paradoxes

Breakin’ Revolution

We believed that a conference on arts and aesthetics is hardly imaginable without a cultural program and therefore included one, comprising a dance performance, Breakin’ Revolution, on the opening night at Färgfabriken on October 19, and a public screening of the art film To The New Horizons at the closing session at Moderna Museet on October 21, conceptually marking the beginning and the end of the Russian Revolution.

By Ekaterina Kalinina Inga kommentarer till Breakin’ Revolution

Becoming tools for artistic consciousness of the people

In the present article, the main principles of the reforms in Revolutionary Russia in the sphere of art are analyzed through the example of the reorganization of the Higher Artistic School of the Imperial Academy of Arts of St. Petersburg into the Free Art Studios (Svomas). The studios were to become a tool for the transformation of the surrounding reality and for the development of the artistic consciousness of the people. The intended result of those transformations was the complete spiritual and material harmonization of society, while the perfection of artistic interpretation was to be replaced with the perfection of social living. The research presented here is based on the archival materials and is one of the very first publications on the problems associated with the reform of artistic education in the first post-revolutionary years.

By Mikhail Evsevyev Inga kommentarer till Becoming tools for artistic consciousness of the people

Revolution. Russian Art 1917–1932

In the much visited and favorably reviewed exhibition “Revolution. Russian Art 1917—1932” held at the Royal Academy of Arts in February through April 2017, a large number of works was displayed, borrowed from art museums all over Russia and other countries, as well as from private collections.

By Helene Carlbäck Inga kommentarer till Revolution. Russian Art 1917–1932

Georgia: A much-repaired society

Georgian capital and several buildings that were important parts of the cultural heritage have been demolished in recent years. Repairing is both cross-cultural and culturally relative; it has similarities across the world and differences based on tradition and affordances. In this sense, the specificity of repair is not that it happens but rather that it highlights the values attached and its aesthetics and moral implications.

By Francisco Martínez Inga kommentarer till Georgia: A much-repaired society

Art as the venue for politics. The image of Rossiya 2

Lena Jonson, Art and Protest in Putin’s Russia. London and New York: Routledge 2015, 399 pages.

By Kristian Gerner Inga kommentarer till Art as the venue for politics.

Why were there no great Pop art curatorial projects in Eastern Europe in the 1960s?

Whatever might be said of pop art techniques and art-historical discourses used in Hungary, and later in Estonia, (and less frequently in other countries), one would be hard-pressed to say that the 1960s was an era of pop in the region, especially one with North American influences. Why then?

By Piotr Piotrowski Inga kommentarer till Why were there no great Pop art curatorial projects in Eastern Europe in the 1960s?

Art and Ownership in Eastern European Art History

When it comes to art museums in post-Soviet Eastern Europe, ownership is an especially loaded issue that continues to bring out new skeletons from its closeted past. Ludwig’s gigantic art collection, consisting of some 50,000 artworks, came into being because of his goal of inscribing himself into the future of art history.

By Margaret Tali Inga kommentarer till Art and Ownership