film

4 articles tagged with film were found.

Memories of the War in Soviet and Russian Spy Cinema Evolution of Trauma

This paper analyzes Soviet and Russian spy films with respect to maintaining and transmitting memories of the Great Patriotic War (1941–1945) in popular culture. The new Russian post-Soviet cinema (after the 2000s) about the “war spies” is considered not only with regard to its entertainment and ideological functions, but also with regard to its function as a “post-memory” of the traumatic experiences of the war and the Nazi occupation. The new Russian cinema about espionage and spies reinterprets the issues of dependent people, Stalinist repressions, and traumatic memories that were absent in Soviet cinema.

By Viktoriya Sukovata Inga kommentarer till Memories of the War in Soviet and Russian Spy Cinema

Revolutionary Synchrony: A Day of the World

A Day of the World (Den’ mira) was a documentary volume, published in 1937, that was intended to provide a snapshot of the entire globe on a single day, September 27, 1935. The tensions within and around A Day of the World capture some of the basic contradictions in socialist realism, the official aesthetic method of Soviet art: between publicity and intimacy and between the dream of synchronous, global revolution and the aberrant temporalities of individual experience.

By Robert Bird Inga kommentarer till Revolutionary Synchrony: A Day of the World

Papusza The story of a Polish Roma poet

While the film Papusza certainly represents part of a growing interest in and awareness of Romani matters among the Polish and international public, one should not overestimate its value as an eye-opener to Romani history. Rather, it constitutes a fascinating and beautiful story of a lifetime on the margins.

By Piotr Wawrzeniuk Inga kommentarer till Papusza

The geoaesthetics of (east) european tristesse. Ulrich Seidl’s Import/Export

Literary scholar David Williams analyzes Ulrich Seidl’s film Import/Export and criticizes Seidl for using and humiliating amateur actors with the aim of telling a story that ultimately only underscores a stereotypical image of the East: as precisely an object of pleasure for the West.

By David Williams Inga kommentarer till Ulrich Seidl’s Import/Export