In 1980, women’s participation in the Solidarność movement was far from invisible. Women were present from the start and they “took over” several highly important activities in Solidarność after its de-legalization in December 1981. The invisibility of these tasks was compounded by the fact that all of this work was illegal.
Although there have been some attempts to “add men” into gender analysis, so far these attempts have primarily been made in order to balance the gender perspective and demonstrate that gender is not only about women. Critical analysis and deconstruction of men’s privileges has not yet taken place. Pro-feminist men and masculinities studies in Ukraine is emerging under rather problematic anti-feminist ideological conditions.
The stereotype of the Soviet man was destroyed in the early 1990s. New forms of culture, such as comic books, tried to invent new male models. In 1991, a group of authors started to publish the comic magazine Veles, in which patterns of male identity were constructed. The comics expressed a form of sublimation of post war and post Soviet trauma.
The images of the leaders in the widely distributed press played an important part in shaping the ideological platform in the Soviet Union, including the regulation, control and support of a certain gender order.
The unsuccessful “translation” of “gender equality” into Russian reveals numerous difficulties and indicates that the realization of the transnational feminist agenda could meet with serious obstacles not only in the countries of the “Third World”, but also in some former “Second World” countries.
This article explores the limits of gendered surveillance in Azerbaijan – that is, how and to what extent female activists and women journalists are monitored and affected by the surveillative apparatuses of the state, both online and offline
The article considers the centrifugal trajectories of the postsocialist world in the direction of the secondary Europe and the global South as seen through the prism of gender relations and at the intersection of the postsocialist and the postcolonial. The author focuses on the importance and specificity of geopolitical positioning in postsocialist gendered discourses using Central Asia and the Caucasus as graphic examples.
Literary scholar David Williams analyzes Ulrich Seidl’s film Import/Export and criticizes Seidl for using and humiliating amateur actors with the aim of telling a story that ultimately only underscores a stereotypical image of the East: as precisely an object of pleasure for the West.
This article focus on how the Gdańsk shipyard strike and the formation of Solidarity have been remembered and observed afterwards, especially in connection with the 30th anniversary in August 2010. The author explores how people create meaning in past events in relation to current interests, and how the depiction of a shared history is constantly recast and used.
Ene Kõresaar (ed.)Soldiers of Memory World War II and its Aftermath in , Estonian Post-Soviet Life Stories, Amsterdam & New York Rodopi 2011, 441 pages