This paper examines women’s contribution to war and the perceptions of that contribution by comparing experiences of women in the Red Army during the Second World War and in the Ukrainian Armed Forces in the conflict in the Donbas region. Here it is argued that in both cases structural gender discrimination was ingrained in the military, which accepted women’s contribution to war in times of need, but treated that contribution as subsidiary, thereby distorting men’s and women’s experiences of warfare and facilitating the instrumentalized militarization of women.
By
Olesya Khromeychuk
The article describes Ukrainian views on the war in the eastern region of the country and other worries of the people as well as Ukrainian-Russian relations and the views on the EU. The empirical material is from opinion polls carried out by the Kyiv International Institute for Sociology in 2014–2017. The conflict in the east is the main concern of the population.
By
Simo Mannila and Natalia Kharchenko
There are parallels in discussions about monuments in Ukraine and the USA. The reminder of the Soviet past (or in the American context, of the Confederacy) is an abject that is difficult to assimilate. On the one hand, the abject is our unwillingness to see the past and accept it; on the other hand, for those who associate themselves with this past, this is the threat of castration because through the negation of a given past a certain group is cast out from the space of representation. That is why it is questionable whether a monument can be inclusive at all. Which memory does the monument recall? Which past is castrated when a new monument is built? Which groups are fighting for recognition and representation? Which groups lose this right? These questions confront researchers and memory workers and are discussed in this essay.
By
Yuliya Yurchuk
The paper is a study of the Ukrainian popular culture based on the material of the Ukrainian TV comedy shows which emerged after 1991. They are: Maski Show, Gentlemen Show, Verka Serduchka, Fajna Ukrajna, Vital’ka, and Evening Kvartal. These TV shows have not been investigated by Western, nor Ukrainian scholars. The Ukrainian TV comedy shows are examined in the context of Bakhtin’s theory of carnival and of the ideas of the Australian Slavic scholar M. Pavlyshyn who has elaborated the concepts anticolonialsim and postcolonialism in relation to contemporary Ukrainian culture.
By
Viktoriya Sukovata
Disinformation tools are not something unique or new and have been used long time ago. But now we are living in times when information became a weapon. Annexation of Crimea, war in Donbas and in Syria have shown a significant role of information.
By
Maksym Kyiak
Richard Sakwa, Frontlinje Ukraina: Krisen i gränslandet mellan Ryssland och Europeiska unionen; Frontline Ukraine: Crisis in the Borderlands, Karneval förlag; London: I. B. Tauris, 2015, 349 pages
By
Piotr Wawrzeniuk
This article examines how ordinary Russian and Ukrainian citizens experience and relate to extensive and pervasive corruption (high-level, everyday, political) in everyday discussions and demands – in relation to authorities, politicians, civil servants, and fellow citizens.
By
Mi Lennhag
At a symposium in March 2015, Erasmus University Rotterdam, Andrej Kotljarchuk presented the results of an ongoing research project “The Roma Genocide in Ukraine 1941-1944: History, memories and representations”.
By
Andrej Kotljarchuk
In Ukraine today, “solidarity” means self-dedication and sacrifice — and is more tangible than ever before.
By
Kateryna Mishchenko
Although there have been some attempts to “add men” into gender analysis, so far these attempts have primarily been made in order to balance the gender perspective and demonstrate that gender is not only about women. Critical analysis and deconstruction of men’s privileges has not yet taken place. Pro-feminist men and masculinities studies in Ukraine is emerging under rather problematic anti-feminist ideological conditions.
By
Tetyana Bureychak
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