A scholarly journal from the Centre for Baltic and East European Studies (CBEES) Södertörn University, Stockholm.
Issue 2019:2 The Stories that need to be told. Testimonies on the horrors of the Holocaust. Also in this issue: Special Section Life in the Archipelago. 50 pages Download.
43 articles tagged with ukraine were found.
The Length of the Day (2017), Volodymyr Rafeenko, Dovhi Chasy, Lviv: Vydav-nytstvo Staroho Leva, 2017, 336 pages. The Boarding School (2017), Serhii Zhadan, Internat, Chernivtsi: Meredian Czernowitz, 2017, 272 pages.
Rather than moving towards arguments or ideological standpoints, the politics in Ukraine has moved farther towards selling emotions, stories and images. This time it was the politics of mediatised emotion on steroids. Is this simply a new politics that can be used in a populist and non-populist ways, or for progressive as much as reactionary causes? It may look like it is a neutral tool but I would still argue that this kind of politics substitutes political mobilisation with political immersion by submerging the audience into a story, an emotional environment, an experience.
Ukraina och informationskriget – journalistik mellan ideal och självcensur [Ukraine and the information war – journalism between ideal and self-censorship] Gunnar Nygren and Jöran Hök (ed.), Myndigheten för samhällsskydd och beredskap. (2016), 279 pages.
In less than 15 years, activist journalists have enjoyed a vertiginous career in Ukraine, from a persecuted and marginal minority to one of the most influential social groups and key actors in the political field. This was certainly facilitated by the technological shift that made media work more cost-efficient and less resource-demanding. But the transformation could also only happen because the culture had a long tradition of journalists taking a stand against authorities, and the idealized figures of an honest publicist, a passionately engaged writer, and a resistance fighter were familiar and readily accepted by the public.
Movers and Shakers of Soviet Ukrainian culture in the 1920s–1930s, “Beau Monde on Empire’s Edge. State and Stage in Soviet Ukraine”, Mayhill C. Fowler, University of Toronto Press, 2017.
This paper examines women’s contribution to war and the perceptions of that contribution by comparing experiences of women in the Red Army during the Second World War and in the Ukrainian Armed Forces in the conflict in the Donbas region. Here it is argued that in both cases structural gender discrimination was ingrained in the military, which accepted women’s contribution to war in times of need, but treated that contribution as subsidiary, thereby distorting men’s and women’s experiences of warfare and facilitating the instrumentalized militarization of women.
The article describes Ukrainian views on the war in the eastern region of the country and other worries of the people as well as Ukrainian-Russian relations and the views on the EU. The empirical material is from opinion polls carried out by the Kyiv International Institute for Sociology in 2014–2017. The conflict in the east is the main concern of the population.
There are parallels in discussions about monuments in Ukraine and the USA. The reminder of the Soviet past (or in the American context, of the Confederacy) is an abject that is difficult to assimilate. On the one hand, the abject is our unwillingness to see the past and accept it; on the other hand, for those who associate themselves with this past, this is the threat of castration because through the negation of a given past a certain group is cast out from the space of representation. That is why it is questionable whether a monument can be inclusive at all. Which memory does the monument recall? Which past is castrated when a new monument is built? Which groups are fighting for recognition and representation? Which groups lose this right? These questions confront researchers and memory workers and are discussed in this essay.
The paper is a study of the Ukrainian popular culture based on the material of the Ukrainian TV comedy shows which emerged after 1991. They are: Maski Show, Gentlemen Show, Verka Serduchka, Fajna Ukrajna, Vital’ka, and Evening Kvartal. These TV shows have not been investigated by Western, nor Ukrainian scholars. The Ukrainian TV comedy shows are examined in the context of Bakhtin’s theory of carnival and of the ideas of the Australian Slavic scholar M. Pavlyshyn who has elaborated the concepts anticolonialsim and postcolonialism in relation to contemporary Ukrainian culture.
Disinformation tools are not something unique or new and have been used long time ago. But now we are living in times when information became a weapon. Annexation of Crimea, war in Donbas and in Syria have shown a significant role of information.
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