Essays are selected scholarly articles published without prior peer-review process.
The Division of Prints and Drawings of the Swedish National Museum contains a collection with just over 200 hand painted images of the peoples of the Russian Empire which, up to the present time, has been largely unknown to scholars. The images, dating from the first half of the 18th century, are associated with the name of Friedrich Wilhelm Bergholtz (1699–1772) a courtier and collector who served as a tutor to the Grand Duke Petr Fedorovich (the future Peter III). In this article, the authors describe the contents of the collection, consider its' possible origin, and assess its significance, particularly with regard to its depictions of Siberian peoples and Ukrainians.
Essay by
Edward Kasinec and Nathaniel Knight
April 22, 2021
This essay examines Swedish heritage politics from the 1920s up to the present by studying official inquiries during this period. Through a critical, historical and empirical discussion, it reveals how the meaning of the word kulturarv (heritage) has been adjusted to correspond to wider changes in Swedish politics. It shows how a relatively neutral understanding of the word kulturarv has been turned into an ambiguity. In this essay I suggest from the material at hand that this trajectory of change results from the development of global capitalism, which turned identity into a commodity. This essay concludes that in a post-heritage future we therefore need a new understanding of identity, an open identity, and that we need to take existential responsibility for our lives.
Essay by
Johan Hegardt
April 21, 2021
Political and scholarly debates on European (meso-)regions have returned time and again over the past 100 years. The conceptualizations of Central and Eastern Europe plays a major role in the debates, which affects the Baltic Sea region and Northern Europe as well. These issues have already been addressed many times, but recently, a new development deserves our attention: the launch of the “Three Seas Initiative” in the summer of 2015 by the presidents of Poland and Croatia, comprising 12 EU member states between the Baltic, Adriatic and Black Seas.
Essay by
Jörg Hackmann
April 21, 2021
When we were beginning to think about what we as artists and also the third generation of survivors can tell about the Holodomor we fully realized that visual representation of mass starvation in the arts is not easy. Depiction of violent events and historical traumas is already hard enough because it demands from the artist not only talent but also a deep understanding of historical context and an ethical approach to the sensitive topic. Famine is an invisible enemy. How to show the total lack of something? How to visualize very slow death, extended in time?
Essay by
Lia Dostlieva and Andrii Dostliev
February 12, 2021
Memory can be retained and archived. You can, however, also manipulate it, obliterate its fragments and sometimes whole segments, using its stores as a tool in a political fight with minorities. Historical memory is only seemingly a domain of objective knowledge.
The point of departure for my artivistic practice is always work with archival material. With time, my experiences led me to outline a specific understanding of historical memory as a process in which the most important role is played by the migration of ideas, a peculiar kind of nomadism.
Essay by
Zuzanna Hertzberg
February 12, 2021
This is an English missionary’s tales of Siberia in the late 19th-century The expedition by Henry Lansdell is documented in the two volumes of Through Siberia from 1882.
Essay by
Annagreta Dyring
October 8, 2020
Miroslava Duma, who presents herself as a Russian digital entrepreneur and investor in international fashion, has described Russia during the communist era as a fashion-free zone. Dresses were supposed to be simple back then. Later, Russian women rather became identified by their big hair, leopard tights and showing off bling and brands. However, this image was to be changed.
Essay by
Karin Winroth
October 8, 2020
Awareness of potential political sanctions can stop social media users from expressing critical and open political views for the sake of personal security. This essay focuses on political bloggers in Belarus and Russia as political opinion leaders who have become more frequent targets of these regimes in recent years. The essay presents the results of a survey on perception and practices of self-censorship conducted among 61 well-known political bloggers in Russia and Belarus and discusses them in relation to the theory of the spiral of silence.
Essay by
Alesia Rudnik
October 8, 2020
This essay explores how the politics of history in the time of conflict between Russia and Ukraine empowered various actors of Ukrainian public life, from the president to religious leaders, to advocate for an independent Orthodox church as “long-awaited historical justice.” By deconstructing historical narratives employed in 2018–2019, it argues that church independence was placed within a broader context of decolonisation and overcoming the Soviet legacy.
Essay by
Andriy Fert
October 8, 2020
Since the emergence of #NiUnaMenos [Not One Less] in 2015, feminism has become widespread in Argentina. In this essay the authors aim to offer an exploratory account of the conditions that have made this unusual scenario possible. In particular, they consider how the heterogeneous groups that gathered under the scream “Ni Una Menos!” have become part of a feminist “us”.
Essay by
Mercedes Barros and Natalia Martinez
May 25, 2020