A scholarly journal from the Centre for Baltic and East European Studies (CBEES) Södertörn University, Stockholm.
Issue 2024, 4: Download.
Peer-reviewed articles have all been through a peer-review process. We practice double-blind peer-review. All material is reviewed by two independent specialists at least at post-doc level. A prerequisite for publishing scientific articles in Baltic Worlds is that the article has not already been published in English elsewhere. If an article is simultaneously being considered by another publication, this should be indicated when submitting.
Members of the Artists Colony were participants in the transformation processes, regardless of the functions they performed in such processes, the intensity of contacts with workers at the Gdańsk Shipyard, or the subject of their artistic works. Artists from the Colony identified the area of the former shipyard as a space of their own experience, memory, and history.
In the analysis of how self-organized groups work, act, and cooperate in young democracies like Albania, it is shown that different financial, human, technical, and political factors determine to what degree the self-organized groups are dependent on the political opportunity system in order to achieve their goals.
Recent discussions on expanding Nord Stream highlight the fact that this unilateral effort by Russia and Germany has stirred further unrest among the other littoral states. Here it is argued that the EU, which has been repeatedly proposed as a mediator of the conflict, is unsuitable for this. Instead it is suggested that the Council of Baltic Sea States (CBSS), are more likely to be accepted as mediators, and more likely to be successful in that role.
The oral history archive of the non-profit organization Nenápadní hrdinovia (The Inconspicous Heroes) is considered as an example of a wider trend in Slovakia to exploit women’s memories for the purposes of conservative or nationalist interpretations of history, placing women in the traditional roles and discourses of victims, auxiliaries, and self-sacrifice. Using the concrete oral history project as a vehicle and a case study for the argument, the article contributes to the understanding of the current discursive landscape of memory of state socialism and of gender in Slovakia.
This article discusses the main narratives employed by conservatives at the beginning of the 20th century to explain the political violence committed by women, and it shows how these narratives have been employed in the scholarly analysis of the topic. The article provides an answer to the question why progovernmental conservative views on the female terrorists and terrorism in prerevolutionary Russia have never been influential in the historiography.
This paper discusses the current “herstorical turn” in professional and popular historiography and memory of WWII in Poland: a growing interest in women and the distinctiveness of their wartime experiences. Focusing on one dominant strand of this “herstorical turn” – nationalist herstory – the article reflects on the ways in which women’s history has become one of the platforms a broader illiberal political shift that is currently ongoing in Central Europe.
In 2016, commemorations of the 60th anniversary of the 1956 Hungarian Revolution brought new conflicts in memory politics. This article analyzes the reasons for women’s absence from the historiography of the 1956 Revolution and discusses how the polypore state is using the populist turn to introduce hegemonic narratives and to include women in the narrative of “national feminism”.
The article describes Ukrainian views on the war in the eastern region of the country and other worries of the people as well as Ukrainian-Russian relations and the views on the EU. The empirical material is from opinion polls carried out by the Kyiv International Institute for Sociology in 2014–2017. The conflict in the east is the main concern of the population.
In his contribution to the volume Russian Literature since 1991 entitled “The Postmodernist Novel”, Mark Lipovetsky makes the now rather widespread claim that the Russian postmodernist post-Soviet novel represents a break with the totalizing tendencies of the socialist realist novel and opens for new ways of experiencing and conceptualizing the world. In this paper this claim is critically examined on the basis of a reading of Viktor Pelevin's Chapaev i Pustota (transl. as Buddha’s Little Finger or Clay Machine Gun against the backdrop of contemporary debates about realism and simulacra. Here it is argued that the Soviet myth of Chapaev lends itself to the totality of the private myth.
The article provides a closer reading of Walter Benjamin’s essays Experience and Poverty and Moscow, by juxtaposing the records of his visit to Russia in 1926–1927 with the author’s reflections on the nature of the transformations in the urban space of an early Soviet city. By using the dystopian image of Mickey Mouse as the desired inhabitant of modernity introduced by Benjamin in Experience and Poverty, Seits gives the allegorical and comparative interpretation to the substantial changes in the living space of Moscow that were witnessed by Walter Benjamin.
Baltic Worlds covers; the Baltic Sea Region, Eastern Europe, Russia, CentralAsia, Caucasus and the Balkan area.