Dominika V. Polanska and Grzegorz Piotrowski
Dominika v. Polanska, Institute for Housing and Urban Research (IBF) at Uppsala University and Södertörn University. Leader of a project started in 2015 at Södertörn University, financed by the Foundation for Baltic and East European Studies, called “Challenging the Myths of Weak Civil Society in Post-socialist Settings: ‘Unexpected’ Alliances and Mobilizations in the Field of Housing Activism in Poland”.
Grzegorz Piotrowski is currently a CBEES Fellow; previously involved in three research projects at Södertörn University. PhD in social and political sciences at the European University Institute in 2011. Research interests: issues of anarchism, alterglobalism, squatting, social movements, postsocialism, and urban movements.
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Articles by Dominika V. Polanska and Grzegorz Piotrowski
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Why is it so easy to remember war and so hard to remember peace? In order to bring forth memories of peace we need to reconceptualize what we mean by peace. I propose the term wild peace as a conceptual and potentially radical move that engage our imagination and capture the lived, embodied and agential dimensions of peace. Memories of wild peace are unruly as they hold the power to unsettle hegemonic narratives and point to alternative futures. I argue that unruly memories of wild peace are important at the present time, when the very idea of peace is contested and undermined.
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Postcolonial scholarship has made a significant contribution by highlighting and critically assessing the liminal, inbetween positionality of Eastern Europe, which has contributed to the neglect of voices and experiences from the region. Discourses that construct and reproduce the notion of Eastern Europe “catching up” have been examined in historical, anthropological, and sociological contexts, as well as across various fields, including international relations, memory studies, democratization, and European integration. This theme section explores some of these intricacies through the case studies of Poland, Hungary, Latvia and Estonia.
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Vi, de fördrivna. Historiska erfarenheter hos polska judar som kom till Sverige 1967–1972 [We, the exiled. Historical experiences of Polish Jews who came to Sweden 1967–1972] Martin Englund, Södertörn doctoral dissertations, Stockholm, Södertörns högskola, (2025), 322 pages.
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Ecocide in Ukraine: The Environmental Cost of Russia’s War Darya Tsymbalyuk, (Cambridge: Polity Press, 2025) 208 pages.
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This article examines how female politicians in Poland’s contemporary Left navigate the complex legacies of socialism and communism in shaping their political identities and practices. Drawing on ethnographic fieldwork conducted before the 2019 parliamentary elections and during the 2021 party unification convention, as well as 23 in-depth interviews with current and former female left-wing politicians, the article explores how the socialist past continues to structure the discursive field within which the Left defines itself and whether this process is gendered. The analysis reveals how associations with socialism and/or communism are simultaneously disavowed and re-appropriated, as female politicians negotiate their belonging to a “progressive Europe” while distancing themselves from the stigmatized post-socialist East. The article argues that this negotiation unfolds from a distinctly post-socialist “in-between position,” where temporal and spatial hierarchies intersect with gendered experiences of political engagement.
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Views of the past are constantly being revised, with the impact of different political and social occurrences generating new narratives and ways of interpreting history. This essay focuses on three cases of recent spatial reconfiguration in Estonia, all demonstrating how contrasting memoryscapes are perceived, especially after the full-scale Russian invasion of Ukraine in 2022. Since then, the Soviet memorials, symbols and murals in public space in Estonia have fallen under intense scrutiny as remnants and symbols of the Soviet regime. Russian aggression towards Ukraine seemed to reopen the wound of the most recent trauma. At the same time, the legacies of more remote oppressors, the Baltic Germans, has taken on a new meaning as a more neutral and even positive heritage. With three examples of spatial transformation, the essay examines the choices made on treating the layers of Estonian history and raises questions about how current decisions could shape our perception in the future.
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This essay traces the development of Latvian nationalism from its emergence in the 19th century to the present, particularly examining how the relationship between the individual and the nation has been interpreted. By relying on the ideas of Johann Gottlieb Fichte and his idealization of authentic cultures, this essay examines his influences on the invention of authentic Latvian culture (and people) in the 19th century, as well as the afterlives of Fichte’s ideas during the Ulmanis regime, the independence struggle in the 1980s, and finally, in the contemporary, liberal era. The essay argues that the unfavorable comparison to their idealized, “authentic” selves has contributed to a discourse in which people are expected to engage in a personal and inherently intimate relationship with their nation. I argue that these principles produce an anti-populist nationalism that distinguishes Latvian nationalism from its European counterparts.
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The article examines the role of Euroscepticism in the construction of an illiberal hegemonic regime by the Hungarian government, and its operationalization by right wing public intellectuals in their professional and subjective geopolitical analyses. Building on Alexei Yurchak’s concept of hypernormalisation, it argues that Hungarian Eurosceptic narratives have become part of a formalized authoritative discourse that provides a guiding framework for the regime’s intellectuals to voice their opinion about global politics and contemporary history, while leaving space for a set of diverse and often contradictory meanings to emerge in relation to Europe and the European Union.
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Filming from under a history in erasure: Jessica Gorter’s documentary films about Russia’s memory and counter-memory.
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Hadley Z. Renkin on Hungarian sexual politics, geotemporal belonging, and the impending reemergence of fascism.
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