contributors

Professor of cultural studies at CBEES, Södertörn University.

Irina Sandomirskaja

Professor of cultural studies at CBEES. Holds a doctoral degree in theoretical linguistics from the Institute of Linguistics of the Russian Academy of Sciences in Moscow. In 2001, published a study of the deconstruction and archeology of Russian and Soviet patriotic speech practices. Current projects: De patientia: Language, Violence, and Strategies of Subjectivity, a collection of essays in language, power, and writing, and A Story of O, or Between Technique and Catastrophe, on Soviet deaf-blind education and related theories of language and consciousness.

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Articles by Irina Sandomirskaja

  1. “There is no heritage”

    Irina Sandomirskaja in a conversation with philosophers Jean-Luc Nancy and Peter Trawny on the subject of nationalism and cultural heritage.

  2. The missing of history in heritage H.G. Adler's novel The Wall

    The property of the disappeared first becomes mere “things” without name, use, or status. Then they turn into museum artifacts of ethnographic, aesthetic, or historical value (at least those of them that are not stolen by the “conquerors” nor rejected by the experts). Then, again, with the collapse of the museum project, what used to be displayed as cultural heritage turns again into “just things”. They burden their custodians who only wish to get rid of them.

  3. Introduction. The property of missing persons Cultural heritage, value, and historical justice

    In general, social disasters always result in the disproportionate excess of things: while humans perish en masse, artifacts survive in the form of market commodities and museum exhibit; as human life extinguishes in catastrophes, the life of objects gets more and more active in market exchanges, expropriations, and lootings. The history of Eastern Europe in the 20th century has witnessed many such episodes.

  4. Scattering, collecting, and scattering again The invention and management of national heritage in the USSR

    It is here claimed that it is practically impossible to determine whether the collector and connoisseur in question (namely Igor Immanuilovich Grabar, 1879—1960) was, indeed, saving his objects from scattering and destruction — or contributing to their further enslavement by exploiting them in a capacity that was radically alien, if not inimical, to their nature.

  5. Bakhtin as Praxis. Academic Production, Political Activism, and Artistic Practice

    The purpose of the conference was to establish new points of contact between the actively developing traditional Bakhtin studies (in literature, language, and cultural theory), on the one hand, and those new directions in research that have discovered the importance of Bakhtin’s ideas in new applications in the humanities, social sciences, education, artistic research, and art practices.

  6. Andrey Bely Prize

    Irina Sandomirskaja, professor of cultural studies at CBEES, Södertörn University, was awarded the most prestigious Russian prize for literary scholarship, […]

  7. The post-Soviet Europe and its “beyond”

    The theme of the conference, "Beyond Transition", reflects a critical phase in current research on Eastern Europe and highlights the need for theoretical and methodological revision noted by many.

  8. What Did the Father Say?

    Comment on Pussy Riot: Reflections on Receptions The story of innocence and corruption, bad motherhood and bad influences presented in […]

  9. Right Wing Academic Opportunism

    Comment on Pussy Riot: Reflections on Receptions And the right-wing academia immediately joined the voice of the judge in an […]

  10. The Pussy Riot Trial: Quotes from Court Verdict Concerning Feminism and Contemporary Art

    Comments on Pussy Riot: Reflections on Receptions   “Feminism is not crime but…” [1] The court cannot agree to the arguments […]

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