art

28 articles tagged with art were found.

Nuclear Superpowers Art, culture, and heritage in the Nuclear Age

Eglė Rindzevičiūtė talks to Ele Carpenter about the strong correlation between the experience of imperialism and colonial power, high technology and cultural responsibility.

By Egle Rindzevičiūtė No Comments on Nuclear Superpowers

Faces of Russia’s empire. The Bergholtz collection of ethnographic images from the early 18th century

The Division of Prints and Drawings of the Swedish National Museum contains a collection with just over 200 hand painted images of the peoples of the Russian Empire which, up to the present time, has been largely unknown to scholars. The images, dating from the first half of the 18th century, are associated with the name of Friedrich Wilhelm Bergholtz (1699–1772) a courtier and collector who served as a tutor to the Grand Duke Petr Fedorovich (the future Peter III). In this article, the authors describe the contents of the collection, consider its' possible origin, and assess its significance, particularly with regard to its depictions of Siberian peoples and Ukrainians.

By Edward Kasinec and Nathaniel Knight No Comments on The Bergholtz collection of ethnographic images from the early 18th century

Nomadic Memory Artivism as the Practice of Recovering Memory

Memory can be retained and archived. You can, however, also manipulate it, obliterate its fragments and sometimes whole segments, using its stores as a tool in a political fight with minorities. Historical memory is only seemingly a domain of objective knowledge. The point of departure for my artivistic practice is always work with archival material. With time, my experiences led me to outline a specific understanding of historical memory as a process in which the most important role is played by the migration of ideas, a peculiar kind of nomadism.

By Zuzanna Hertzberg No Comments on Nomadic Memory

The case of Tadeusz Kulisiewicz Exploring the role and life of artists during Cold War

Around 20 researchers met in the Polish city of Kalisz for two days in mid-October, to present their on-going projects exploring issues related to artists in the political systems of the countries of Central Europe after 1945.

By Camilla Larsson No Comments on Exploring the role and life of artists during Cold War

Introduction. The property of missing persons Cultural heritage, value, and historical justice

In general, social disasters always result in the disproportionate excess of things: while humans perish en masse, artifacts survive in the form of market commodities and museum exhibit; as human life extinguishes in catastrophes, the life of objects gets more and more active in market exchanges, expropriations, and lootings. The history of Eastern Europe in the 20th century has witnessed many such episodes.

By Irina Sandomirskaja No Comments on Introduction. The property of missing persons

Beyond spatial and cultural boundaries in Riga

Expressions such as “geographical imaginaries” and “utopic worlds” are used to lead people to dream about distant lands, very different from Latvian society and its cultural scene. Based on these premises, the role of the Survival Kit Festival is to bring these imaginaries close to contemporary society in Riga, leading to a transformation of the conception of geographical and mental borders.

By Michela Romano No Comments on Beyond spatial and cultural boundaries in Riga

“We know what we are losing …” The scattering of art in revolutionary Petrograd

The history of revolutionary Petrograd covers the period between the two times when the city changed its name, in 1914 and 1924. During this period, it came to witness a world war (not accidentally called the Great War) and two revolutions, as well as cold, famine, and destruction. Even though difficult to assess, the consequences for museums and collections, both private and public, were enormous, as they were for a variety of art institutions and, even more so, for private persons such as collectors, artists, art critics, and so on.

By Iulia Demidenko No Comments on The scattering of art in revolutionary Petrograd

Art History outside the nationalist paradigm. Soros art centers in a global perspective

Globalizing East European Art Histories. Past and Present. Routledge Research in Art History Beáta Hock and Anu Allas (ed.), London: Routledge, 2018. 232 pages.

By Annika Öhrner No Comments on Art History outside the nationalist paradigm.

Cease identification with territory, gender, race, and class

Usually, this triennial takes place in Lithuania, as it has since its foundation in the year 1979. But now, due to the celebration of the centennial of the restored three Baltic states, Kestutis Kuizinas, the leader of the Contemporary Art Centre, decided to suggest that they work collaboratively. Thematically, the 13th Baltic Triennial’s three-part format also shaped the way it was realized.

By Charlotte Bydler No Comments on Cease identification with territory, gender, race, and class

Christian Brinton: A modernist icon A portrait and a study of the collector

Like the lives of the saints, Brinton consciously crafted his own vita, iconography, and legend by inserting himself within the genealogy of his collection. From the portrait icon to the pious patron, the portraits of Christian Brinton tell us something of not only the actor, but also the narrative of Russian art that the collector constructed.

By Mechella Yezernitskaya No Comments on Christian Brinton: A modernist icon