Even though it is not uncommon for first ladies of various countries to be pictured on the cover of Vogue, this time it stirred some concern. There have been heated discussions on social media. Why does the most prestigious fashion magazine in the world offer their front cover to a first lady defending her country, a country unknown for its design and fashion? And why does she accept? There were considerable discussions on the matter and Zelenska has been both criticized and praised for taking this opportunity.
By
Karin Winroth
January 18, 2023
Miroslava Duma, who presents herself as a Russian digital entrepreneur and investor in international fashion, has described Russia during the communist era as a fashion-free zone. Dresses were supposed to be simple back then. Later, Russian women rather became identified by their big hair, leopard tights and showing off bling and brands. However, this image was to be changed.
Essay by
Karin Winroth
October 8, 2020
Jukka Gronow and Sergey Zhuravlev, Fashion Meets Socialism, Fashion Industry in the Soviet Union after the Second World War Helsinki: Finnish Literature Society, 2015 303 pages
By
Anna Krakus
October 25, 2016
The exhibition Fashion Talks: Fashion as Communication, which was shown for several months at the Museum for Communication, Berlin, was designed to explore — by looking at the messages conveyed by clothes — how people deal with fashion, both individually and collectively.
By
Ekaterina Kalinina
January 9, 2013
The fact that Moscow and St. Petersburg house in total five fashion events every season makes one think that the fashion business is considered attractive and economically sound in Russia. However, despite the growth of the Russian fashion market since the 1990s, the fashion industry is losing ground to other promising fashion hubs.
By
Ekaterina Kalinina
January 16, 2012
The development of a system for producing Russian fashion clothing, along with the discussion surrounding this venture into fashion, is described here. The GUM department store established a studio and hired designers. The quality and wealth of ideas was often poor, but demand grew steadily.
Essay by
Sergey Zhuravlev & Jukka Gronow
July 1, 2010