This article theoretically overviews the disputes related to two heritage sites located in Vilnius, Lithuania – the Green Bridge statues and a monument to Petras Cvirka. The change in the culture of memory – from a Soviet to an independent Lithuania – has created the appropriate conditions for certain objects of such heritage to reveal dissonance. Common actions applied to mitigating the disputes that occur in relation to the Soviet-era legacy include the removal of such statues or monuments and/or their relocation. Meanwhile, alternative solutions such as memorial/information plaques and artistic interventions aimed at reinterpreting and decontextualizing the object in question are less widely endorsed.
By
Rasa Goštautaitė
February 12, 2021
There are parallels in discussions about monuments in Ukraine and the USA. The reminder of the Soviet past (or in the American context, of the Confederacy) is an abject that is difficult to assimilate. On the one hand, the abject is our unwillingness to see the past and accept it; on the other hand, for those who associate themselves with this past, this is the threat of castration because through the negation of a given past a certain group is cast out from the space of representation. That is why it is questionable whether a monument can be inclusive at all. Which memory does the monument recall? Which past is castrated when a new monument is built? Which groups are fighting for recognition and representation? Which groups lose this right? These questions confront researchers and memory workers and are discussed in this essay.
Essay by
Yuliya Yurchuk
November 10, 2017
The post-communist countries did not see the Holocaust narrative and its relation to the history of the EU as part of their own narrative. Since entering the EU, a number of Eastern European countries have challenged the EU’s master narrative and tried to gain acceptance for — and draw attention to — their memory of Soviet Communism.
By
Anne Wæhrens
January 21, 2015
Spomeniks are monuments commemorating the World War II dot the landscape: gigantic futuristic creations that in some cases have been spared destruction.
By
Sara Bergfors
January 16, 2012