164 articles tagged with russia were found.
After announcing her presidential campaign in October 2017, Sobchak, perhaps unsurprisingly, was represented in mainstream Russian media as an “unruly woman”19 who was transgressing the existing patriarchal norms and rules, and she was explicitly reminded by male journalists and TV anchors of the “real” and “traditional” role a woman is supposed to play.
Essay by
Liudmila Voronova and Emil Edenborg
March 7, 2019
Professor Olga Kryshtanovskaya comments on the current situation around the future presidential successor in Russia and the potential political upheavals connected to this issue. Olga Kryshtanovskaya is a professor at the State University of Management in Moscow and a leading Russian sociologist with a specialization in elite research
By
Ilja Viktorov
March 7, 2019
Gleb Yarovoy is a professor of political science and is currently based at the University of Eastern Finland in Joensuu. His dealings over the years with his former main employer, Petrozavodsk State University, says something about the situation for Russian academics of today.
By
Påhl Ruin
March 5, 2019
Independent scientific and professional organizations began to suffer especially after the introduction of the so-called law on “foreign agents”. Ideological control over science, together with espionage, begins to directly influence the state of academic rights and freedoms. The topic of human rights has almost disappeared from teaching, and research in the field of queer sociology is in fact banned. However, the most vulnerable are those who either teach or demand respect for human rights at the university, and then the loss of employment is the result of a direct ideological confrontation with the rector, such as for the author of this text.
Essay by
Dmitry V. Dubrovskiy
March 5, 2019
Like the lives of the saints, Brinton consciously crafted his own vita, iconography, and legend by inserting himself within the genealogy of his collection. From the portrait icon to the pious patron, the portraits of Christian Brinton tell us something of not only the actor, but also the narrative of Russian art that the collector constructed.
Essay by
Mechella Yezernitskaya
June 18, 2018
It is here claimed that it is practically impossible to determine whether the collector and connoisseur in question (namely Igor Immanuilovich Grabar, 1879—1960) was, indeed, saving his objects from scattering and destruction — or contributing to their further enslavement by exploiting them in a capacity that was radically alien, if not inimical, to their nature.
Essay by
Irina Sandomirskaja
June 18, 2018
The Basilys had both the means and opportunities to collect and exhibit Imperial elite art and books. In doing so, it is argued here that they wished to present an alternative narrative of Russia’s past to the Soviet political, economic, and modernist artistic program that they witnessed unfolding in Soviet Russia.
Essay by
Edward Kasinec
June 18, 2018
Vid avantgardets korsvägar: Om Ivan Aksionov och den ryska modernismen [At the cross roads of the avant-garde: On Ivan Aksionov and Russian modernism, Lars Kleberg, Stockholm Natur & Kultur, 2015, 248 pages.
By
Ingmar Oldberg
March 8, 2018
This article discusses the main narratives employed by conservatives at the beginning of the 20th century to explain the political violence committed by women, and it shows how these narratives have been employed in the scholarly analysis of the topic. The article provides an answer to the question why progovernmental conservative views on the female terrorists and terrorism in prerevolutionary Russia have never been influential in the historiography.
By
Nadezda Petrusenko
March 8, 2018
In his contribution to the volume Russian Literature since 1991 entitled “The Postmodernist Novel”, Mark Lipovetsky makes the now rather widespread claim that the Russian postmodernist post-Soviet novel represents a break with the totalizing tendencies of the socialist realist novel and opens for new ways of experiencing and conceptualizing the world. In this paper this claim is critically examined on the basis of a reading of Viktor Pelevin's Chapaev i Pustota (transl. as Buddha’s Little Finger or Clay Machine Gun against the backdrop of contemporary debates about realism and simulacra. Here it is argued that the Soviet myth of Chapaev lends itself to the totality of the private myth.
By
Tora Lane
November 10, 2017