Essays TCHAIKOVSKY’S MAZEPA IN THE RUSSO-UKRAINIAN WAR. Rescuing a cultural hero for a sovereign nation

This essay considers the myths surrounding the historical figure of Hetman Mazepa and their artistic expressions. More specifically, it compares and contrasts two recent stage versions of Pyotr Tchaikovsky’s Mazepa opera by theaters in Kharkiv in 2017 and Moscow in 2021, at the time of the Russian military operations on the territory of Ukraine. The desire of Ukrainian directors to return honors to the national hero is opposed by the Russian interpretation of the image of Mazepa as an archetype of a traitor. The essay shows how the Ukrainian version updated the plot and liberated the Mazepa myth from Russian and Soviet imperial distortions, thereby connecting the opera’s events with the contemporary struggle for a sovereign state. Meanwhile, underneath its modernist surface, the Russian version maintained the opera’s age-old metropolitan view of Ukraine as inferior.

Published in the printed edition of Baltic Worlds BW 2024: 1-2. pages 49-54
Published on balticworlds.com on April 23, 2024

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abstract

This essay considers the myths surrounding the historical figure of Hetman Mazepa and their artistic expressions. More specifically, it compares and contrasts two recent stage versions of Pyotr Tchaikovsky’s Mazepa opera by theaters in Kharkiv in 2017 and Moscow in 2021, at the time of the Russian military operations on the territory of Ukraine. The desire of Ukrainian directors to return honors to the national hero is opposed by the Russian interpretation of the image of Mazepa as an archetype of a traitor. The essay shows how the Ukrainian version updated the plot and liberated the Mazepa myth from Russian and Soviet imperial distortions, thereby connecting the opera’s events with the contemporary struggle for a sovereign state. Meanwhile, underneath its modernist surface, the Russian version maintained the opera’s age-old metropolitan view of Ukraine as inferior.
Keywords: Mazepa, myth, national identity, opera version, Tchaikovsky.

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  • by Liubov Kuplevatska

    Ukrainian scholar currently based at Lund University, the Center for Languages and Literature, via a grant for Ukrainian scholars from the Marcus and Amalia Wallenberg Foundation. Associate Professor at the Kharkiv National University in Kharkiv, February 2022.

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