Essays Introduction Chornobyl in the fog of war 40 years after the disaster

The following essays in this theme-issue aim to capture a snapshot of that 40th anniversary amidst the ongoing war. These essays were written by researchers in life sciences, humanities and social sciences, as well as practitioners of the arts, many of whom have worked on Chornobyl issues in Ukraine, in Eastern and Western Europe and in North America for some time. They engage the effort to understand the impact of the ongoing violence unleashed by Russian troops on the legacy and memory of Chornobyl writ large. These impressions have been laid out in multiple, layered visions and memories of Chornobyl: Chornobyl as a symbol of technological failure, a reminder of local and national tragedy and resilience, and a place for international technoscientific and humanitarian cooperation and collective reflection about nuclear and other technogenic risks.

Published in the printed edition of Baltic Worlds Baltic Worlds vol. 19 no 1, pages 4-7
Published on balticworlds.com on April 23, 2026

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The following essays in this theme-issue aim to capture a snapshot of that 40th anniversary amidst the ongoing war. These essays were written by researchers in life sciences, humanities and social sciences, as well as practitioners of the arts, many of whom have worked on Chornobyl issues in Ukraine, in Eastern and Western Europe and in North America for some time. They engage the effort to understand the impact of the ongoing violence unleashed by Russian troops on the legacy and memory of Chornobyl writ large. These impressions have been laid out in multiple, layered visions and memories of Chornobyl: Chornobyl as a symbol of technological failure, a reminder of local and national tragedy and resilience, and a place for international technoscientific and humanitarian cooperation and collective reflection about nuclear and other technogenic risks.

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  • by Tatiana Kasperski and Oksana Semenik

    Tatiana Kasperski, Associate Professor, is a Project Researcher at the Department for Historical and Contemporary Studies at Södertörn University. Oksana Semenik is an Art Historian, Curator and Researcher working in Kyiv.

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  • Essays are scientific articles.

    Essays are selected scholarly articles published without prior peer-review process.

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