A scholarly journal from the Centre for Baltic and East European Studies (CBEES) Södertörn University, Stockholm.
Issue 2026, 1: Download.
Dominika v. Polanska, Institute for Housing and Urban Research (IBF) at Uppsala University and Södertörn University. Leader of a project started in 2015 at Södertörn University, financed by the Foundation for Baltic and East European Studies, called “Challenging the Myths of Weak Civil Society in Post-socialist Settings: ‘Unexpected’ Alliances and Mobilizations in the Field of Housing Activism in Poland”.
Grzegorz Piotrowski is currently a CBEES Fellow; previously involved in three research projects at Södertörn University. PhD in social and political sciences at the European University Institute in 2011. Research interests: issues of anarchism, alterglobalism, squatting, social movements, postsocialism, and urban movements.
Regardless of what shape the future government will take, there is no doubt that it will remain under the control of Vlad Plahotniuc and Igor Dodon. This in turn means further deterioration of Moldova's relations with its Western partners, lack of structural reforms and deepening social collapse.
There is a significant discrepancy between the political potential of the EU and its actual position and role in the future development of Europe. In practice, the member states have maintained their power monopoly in the most essential policy areas.
Over 40 researchers representing countries spanning from Ukraine to the United States and from Sweden to Serbia gathered in Prague to explore the changing roles of rural and urban cultural heritages in post-socialist countries.
Usually, this triennial takes place in Lithuania, as it has since its foundation in the year 1979. But now, due to the celebration of the centennial of the restored three Baltic states, Kestutis Kuizinas, the leader of the Contemporary Art Centre, decided to suggest that they work collaboratively. Thematically, the 13th Baltic Triennial’s three-part format also shaped the way it was realized.
Among many topics in the concluding discussion, there were some reflections from the participants on how to relate to the changing definitions and redefinitions of concepts like regionalism and nation as well as the relevance of these ideas in a period of speedy change. A suggestion was that that the populations in the Baltic Sea region perhaps practice regionalism in everyday life but think in nation-state terms when it comes to politics, and this is but one of many challenges for historians and political scientists to address in future research.
“Postsocialist Revolutions of Intimacy: Sexuality, Rights and Backlash”, Workshop October 1–2, 2018. The workshop was organized by CBEES, Centre for […]
What the symposium emphasized was the processes that led to the emergence of the cultural techniques and institutions as well as the conceptual apparatus to deal in practice with the suddenly highly desired Russian cultural heritage. Another focus was on the reception of the Western tradition by the Russian educated society, which took place in parallel with, and sometimes conceptually intertwined with, the re-opening of the Russian tradition.
The Museum of Contemporary Art in Skopje has created a new program named ‘Radical Education’, designed by Tihomir Topuzovski and Kumjana Novakova. The program started on October 17, 2018 with a lecture “The Art of Political Imagination” by professor Stephen Duncombe. It continued on October 29 and 30 with a workshop by Forensic Architecture, an independent research agency.
This article focuses on the blackmailing of the Jews during the Nazi occupation of Lviv, Galicia. Despite a considerable amount of attention from historians to the Shoah in Lviv, this issue is still one of the few unstudied problems. Based on the carefully collected source materials, the author reconstructs the main features of this phenomenon, its evolution, its local specifics, and the main types of blackmailers and the methods of their activities.
After announcing her presidential campaign in October 2017, Sobchak, perhaps unsurprisingly, was represented in mainstream Russian media as an “unruly woman”19 who was transgressing the existing patriarchal norms and rules, and she was explicitly reminded by male journalists and TV anchors of the “real” and “traditional” role a woman is supposed to play.