Elena Marushiakova and Vesselin Popov
Elena Marushiakova is a holder of ERC Advanced Grant 2015, “Roma Civic Emancipation Between the Two World Wars”, and President of the Gypsy Lore Society. She is affiliated to the School of History at the University of St. Andrews. She has published widely on Roma in Bulgaria, Balkans and Central and Eastern Europe.
Vesselin Popov works at the School of History at the University of St. Andrews. Conducts research in frames of ERC Advanced Grant 2015, “Roma Civic Emancipation Between the Two World Wars”. Has published widely on Roma in Bulgaria, Balkans and Central and Eastern Europe.
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Articles by Elena Marushiakova and Vesselin Popov
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On June 24, 2010 Regeringsrätten, Sweden’s Supreme Administrative Court, reached a verdict, marking a victory for Professor Birgitta Almgren’s research. Both the Swedish Security Service (Säpo) and the Stockholm Administrative Court of Appeal had rejected Professor Almgren's request to obtain the classified documents from the GDR's foreign espionage that the CIA sent to Säpo.
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ICCEES’ (International Council for Central and Eastern European Studies) Eight World Congress “Eurasia: Prospects for Wider Communication” took place in Stockholm, Sweden in July 2010. Host was the Swedish Society for the Study of Russia, Central and Eastern Europe and Central Asia (Sällskapet ). Here you may read Mikhail Gorbachev´s speech, presented at the Opening Ceremony by Pavel Palazhchenko, advisor and interpreter to Mikhail Gorbachev. Also available is an essay based on Professor Archie Browns key note lecture “Gorbachev and Perestroika: a 25th Anniversary Perspective”. The Opening Ceremony and a discussion between Archie Brown, Jack Matlock, author and US ambassador in Moscow 1987‐1991 and Pavel Palazhchenko is published as video films here.
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Gorbachev here emphasize that the essence of glasnost was a real dialogue between authorities and society. The dialogue, he argues here, required a rejection of all forms of censorship and pressure on the mass media, the existence of rights for freedom of assembly, meetings and demonstrations, freedom of conscience, and the creation of public organisations. All this was done in the perestroika years according to Gorbachev.
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Professor Archie Brown argues that Gorbachev was not selected as General Secretary because he was a reformer. He did at the time he became party leader believe both that the system was reformable and that it must be reformed. But he did not, however, reveal the full extent of his existing reformism on the eve of perestroika.
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A close reading of Ginzburg’s diaries shows how a fight against a shrinking living space is conducted on two levels: the purely physical fight for survival during the famine in Leningrad and the intellectual fight in a cultural environment increasingly dictated.
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In the 1960s, the Soviets took up a rivalry with the US in a hitherto new field, industrial design. ElektroMera was a grandiose effort to produce utilities for everyday use: an effort that nonetheless was never realized in the form of finished products.
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The development of a system for producing Russian fashion clothing, along with the discussion surrounding this venture into fashion, is described here. The GUM department store established a studio and hired designers. The quality and wealth of ideas was often poor, but demand grew steadily.
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A close reading of Zinoviev and his view of the dissolution of the Soviet Union as a tragedy. Zinoviev helps us to understand how it feels to have your world dismantled and how that experience forms many of the attitudes that lie behind Putin’s policies.
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Factors such as widespread ennui and resignation should also be seen as part of the explanation for the dissolution of the Soviet Union. The increasing tristesse, combined with a diminishing fear of reprisals, contributed to the collapse of the system, it is here claimed.
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An exhibition about a woman born in a Europe that has vanished, in a city that no longer exists. Anna is neither East nor West, she is older than that. Her destiny is intertwined with the destiny of Europe. For this reason, the personal becomes universal in this touring exhibition.
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