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Articles by Katri Pynnöniemi

1. The missing of history in heritage H.G. Adler's novel The Wall

   The property of the disappeared first becomes mere “things” without name, use, or status. Then they turn into museum artifacts of ethnographic, aesthetic, or historical value (at least those of them that are not stolen by the “conquerors” nor rejected by the experts). Then, again, with the collapse of the museum project, what used to be displayed as cultural heritage turns again into “just things”. They burden their custodians who only wish to get rid of them.

2. Introduction. The property of missing persons Cultural heritage, value, and historical justice

   In general, social disasters always result in the disproportionate excess of things: while humans perish en masse, artifacts survive in the form of market commodities and museum exhibit; as human life extinguishes in catastrophes, the life of objects gets more and more active in market exchanges, expropriations, and lootings. The history of Eastern Europe in the 20th century has witnessed many such episodes.

3. Beyond spatial and cultural boundaries in Riga

   Expressions such as “geographical imaginaries” and “utopic worlds” are used to lead people to dream about distant lands, very different from Latvian society and its cultural scene. Based on these premises, the role of the Survival Kit Festival is to bring these imaginaries close to contemporary society in Riga, leading to a transformation of the conception of geographical and mental borders.

4. international relations in the age of anxiety

   In June 2019, scholars came together in Belgrade for the CEEISA-ISA Joint Conference to discuss international relations in the age of anxiety. The current increase in international populist discourse and far-right movements and the democratic regression in Central and Eastern Europe were the focal point of the discussion. Questions that arose revolved around whether there are any prospects for reconciliation as a way to de-escalate the violence in the world.

5. The Ideal Cosmopolitan Classroom is the Stage On applied theatre interventions for perpetuating peace in Kosovo

   Perpetuating peace will be a lifelong commitment in Kosovo and many other regions of the world. But for five weeks in historic Pristina, a group of former strangers became friends, collaborators, and confidants, telling stories of our truths, discussing our histories, and spinning worlds from words. Peace, for a while, persists.

6. The Concerns of Historians

   De Baets and his Network of Concerned Historians do an admirable job of raising awareness of the risks that professional historians face, and the political misuse of history. As the annual reports reveal, these dangers to academics are increasing and spreading in lockstep with the growth of authoritarian and populist politics.

7. “We know what we are losing …” The scattering of art in revolutionary Petrograd

   The history of revolutionary Petrograd covers the period between the two times when the city changed its name, in 1914 and 1924. During this period, it came to witness a world war (not accidentally called the Great War) and two revolutions, as well as cold, famine, and destruction. Even though difficult to assess, the consequences for museums and collections, both private and public, were enormous, as they were for a variety of art institutions and, even more so, for private persons such as collectors, artists, art critics, and so on.

8. Gone Missing Books and their owners in the siege of Leningrad

   The book lovers, collectors, and dealers of the siege were moving antiquarian books on strollers and sleds, as they had done with dead bodies several months earlier, thus reorganizing the devastated spaces of the changed city. From the “vacant” apartments of missing people, books that materially represented material and symbolic values of the past were running through — and up against — a new reality, a contact or collision that engendered new forms of inquiry and of collaboration between past and present

9. “One must do one’s best to undermine the system”

   Tomas Venclova in a conversation with Stefan Ingvarsson on literature, Lithuania, and being a historical optimist in Europe today.

10. Pribaltification on Russian TV Looking at smaller Baltic neighbors through Russia’s “mind’s eye”

    This article will introduce the term “pribaltification”, designating the tendencies in the Soviet Union and Russia to imagine and represent the Soviet Baltic republics – and later the independent states of Estonia, Latvia and Lithuania – as a largely uniform political and cultural entity, and to significantly blur the cultural and linguistic distinctions between the natives of these republics/countries. Analyzing the narrative and semiotic systems that underpin design and production strategies in an audio-visual text of a Russian television serial Gastrolery [Guest Performers], I will demonstrate that representations/metageographies of Lithuania and Lithuanians articulated in the film closely align with the principle of “pribaltification”. Thus, an image of Lithuania and Lithuanians appears to be employed synecdochically, whereby one specific state embodies onscreen all three Baltic countries as a whole. I will also suggest that “pribaltification” in Gastrolery may not be driven exclusively by popular Russian metageographies of the Baltic States. Thus, analysis of the serial may make it possible to observe traces of the Russian state’s geopolitical discourse on the Baltic States.

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