A scholarly journal from the Centre for Baltic and East European Studies (CBEES) Södertörn University, Stockholm.
Issue 2026, 1: Download.
Lia Dostlieva is an Ukrainian artist, essayist, cultural anthropologist and researcher at Adam Mickiewicz University in Poznań, Poland. Focusing on trauma, postmemory, commemorative practices, and agency and visibility of vulnerable groups and how to process “difficult knowledge” and “difficult past”.
Andrii Dostliev is an independent Ukrainian artist, curator, and photography researcher currently based in Poland. His primary areas of interest are memory, trauma, identity – both personal and collective, and various aspects of queerness. Works in various media.
The purpose of this paper is to focus attention on the Stūra Māja [Corner House] of Riga and how the building was used. I have also conducted interviews, with both the former Latvian KGB Chief Edmunds Johanson, as well as the former Latvian dissident Leo Hiršsons.
Although the primary interest of the OSA was the heritage of the Cold War and communism, it soon extended its interests to include human rights archives. The first was an archive on the Yugoslav wars, including documents of the International Criminal Tribunal for the Former Yugoslavia. Initially, interest in this archive was based on its relation to the aftermath of communism, but later it was realized that “it was a document of human rights”, and this subject was accepted as a part of the OSA’s key activity.
Analize – Journal of Gender and Feminist Studies, New Series, Issue no. 7, 2016, The Romanian Society for Feminist Analyses AnA, 2016, 101 pages.
Europe faces Europe: Narratives from its Eastern Half, Johan Fornäs (toim.). Bristol, UK/ Chicago, USA: Intellect, 2017, 252 pages.
The elections in Albania were overshadowed by three issues: further EU integration through key judicial reform, and property rights. All three are closely interconnected, and illustrate the difficult changes Albania still need to face in order to become a politically, economically and judicially stable country.
The 400th anniversary of the peace treaty between Sweden and Russia has for obvious reasons been in the shadow of […]
In the much visited and favorably reviewed exhibition “Revolution. Russian Art 1917—1932” held at the Royal Academy of Arts in February through April 2017, a large number of works was displayed, borrowed from art museums all over Russia and other countries, as well as from private collections.
Lusine Djanian and Alexey Knedlyakovsky at the Bakhtin workshop shared their experiences from the art protest in 2013, in the Russian Republic of Mordovia, the historical place for those serving sentence or being exiled. And it was in this region where Bakhtin spent many years of his life when he was not allowed to live in Moscow. The protest was a direct action to support the demands of Pussy Riot-member Nadezda Toloknnikova, who was serving her sentence in prison for the action in the Moscow Cathedral of Christ the Savior.
The workshop “Bakhtinian Theory in Postcolonial and Postsocialist Perspective” was organized to link with the publication of the special section on “Bakhtinian theory in a postcolonial and postsocialist perspective” in Baltic Worlds (number 1, 2017).
Early this fall Irina Seits, Russian PhD candidate at CBEES, Södertörn University met with Gustaf Nobel, Ludvig’s great-grandson, in order to talk about the Russian period in the life of his prominent family.