A scholarly journal from the Centre for Baltic and East European Studies (CBEES) Södertörn University, Stockholm.
Issue 2026, 1: Download.
Lia Dostlieva is an Ukrainian artist, essayist, cultural anthropologist and researcher at Adam Mickiewicz University in Poznań, Poland. Focusing on trauma, postmemory, commemorative practices, and agency and visibility of vulnerable groups and how to process “difficult knowledge” and “difficult past”.
Andrii Dostliev is an independent Ukrainian artist, curator, and photography researcher currently based in Poland. His primary areas of interest are memory, trauma, identity – both personal and collective, and various aspects of queerness. Works in various media.
Ludger Hagedorn has gathered together different voices, all adding insights into the meaning of solidarity. Here he presents the different contributions and place them in a wider context. He concludes, "Perhaps the outcome of solidarity counts less than the atmosphere that it creates and in which it unfolds its explosive message.".
Christer Lokind: DC-3:an. Kalla krigets hemlighet [The DC-3: the secret of the Cold War]. Stockholm: Medströms bokförlag, 2014.
The evolution of political contacts between exile activists in Sweden and the occupied homeland sheds light on the largely underresearched phenomenon of anticommunist cooperation between capitalist and communist societies and challenges the narrative of the impermeability of the “Iron Curtain” between the Soviet Union and the West.
Although there have been some attempts to “add men” into gender analysis, so far these attempts have primarily been made in order to balance the gender perspective and demonstrate that gender is not only about women. Critical analysis and deconstruction of men’s privileges has not yet taken place. Pro-feminist men and masculinities studies in Ukraine is emerging under rather problematic anti-feminist ideological conditions.
The stereotype of the Soviet man was destroyed in the early 1990s. New forms of culture, such as comic books, tried to invent new male models. In 1991, a group of authors started to publish the comic magazine Veles, in which patterns of male identity were constructed. The comics expressed a form of sublimation of post war and post Soviet trauma.
The images of the leaders in the widely distributed press played an important part in shaping the ideological platform in the Soviet Union, including the regulation, control and support of a certain gender order.
The unsuccessful “translation” of “gender equality” into Russian reveals numerous difficulties and indicates that the realization of the transnational feminist agenda could meet with serious obstacles not only in the countries of the “Third World”, but also in some former “Second World” countries.
This article explores the limits of gendered surveillance in Azerbaijan – that is, how and to what extent female activists and women journalists are monitored and affected by the surveillative apparatuses of the state, both online and offline.
The article considers the centrifugal trajectories of the postsocialist world in the direction of the secondary Europe and the global South as seen through the prism of gender relations and at the intersection of the postsocialist and the postcolonial. The author focuses on the importance and specificity of geopolitical positioning in postsocialist gendered discourses using Central Asia and the Caucasus as graphic examples.
Two distinct cases of kin-state relations are examined: that of Russians living in states neighboring Russia and that of Magyars living in states around Hungary. The question of kin-state relations is put at the forefront of European minority issues.