A scholarly journal from the Centre for Baltic and East European Studies (CBEES) Södertörn University, Stockholm.
Issue 2026, 1: Download.
Graduated with a BA in Russian and English Literature from Leeds University. His co-translations of Andrey Platonov have won prizes both in the UK and in the US. His translation of Hamid Ismailov’s The Railway won the AATSEEL prize for 2007 and received a special commendation from the judges of the 2007 Rossica Translation Prize. Recently he translated The Armenian Sketchbook by Vasily Grossman, to be published in July 2013.
In 1980, women’s participation in the Solidarność movement was far from invisible. Women were present from the start and they “took over” several highly important activities in Solidarność after its de-legalization in December 1981. The invisibility of these tasks was compounded by the fact that all of this work was illegal.
The author analyzes the content of the word “solidarity”, not for the sake of linguistics, but in the belief that words contain memories as well as many other experiences, often conflicting ones. He also talks about Solidarity, the trade union in Poland, which was created in August 1980 and crushed in December 1981.
Ludger Hagedorn has gathered together different voices, all adding insights into the meaning of solidarity. Here he presents the different contributions and place them in a wider context. He concludes, "Perhaps the outcome of solidarity counts less than the atmosphere that it creates and in which it unfolds its explosive message.".
Christer Lokind: DC-3:an. Kalla krigets hemlighet [The DC-3: the secret of the Cold War]. Stockholm: Medströms bokförlag, 2014.
The evolution of political contacts between exile activists in Sweden and the occupied homeland sheds light on the largely underresearched phenomenon of anticommunist cooperation between capitalist and communist societies and challenges the narrative of the impermeability of the “Iron Curtain” between the Soviet Union and the West.
Although there have been some attempts to “add men” into gender analysis, so far these attempts have primarily been made in order to balance the gender perspective and demonstrate that gender is not only about women. Critical analysis and deconstruction of men’s privileges has not yet taken place. Pro-feminist men and masculinities studies in Ukraine is emerging under rather problematic anti-feminist ideological conditions.
The stereotype of the Soviet man was destroyed in the early 1990s. New forms of culture, such as comic books, tried to invent new male models. In 1991, a group of authors started to publish the comic magazine Veles, in which patterns of male identity were constructed. The comics expressed a form of sublimation of post war and post Soviet trauma.
The images of the leaders in the widely distributed press played an important part in shaping the ideological platform in the Soviet Union, including the regulation, control and support of a certain gender order.
The unsuccessful “translation” of “gender equality” into Russian reveals numerous difficulties and indicates that the realization of the transnational feminist agenda could meet with serious obstacles not only in the countries of the “Third World”, but also in some former “Second World” countries.
This article explores the limits of gendered surveillance in Azerbaijan – that is, how and to what extent female activists and women journalists are monitored and affected by the surveillative apparatuses of the state, both online and offline.