contributors

Stephan Collishaw

Author, selected as one of the British Council’s 20 best young British novelists in 2004. Has published the novels The Last Girl (2003), Amber (2014) and The Song of the Stork (2016)

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Articles by Stephan Collishaw

  1. Experiences of Sweden and Ukraine regarding “country promotion”

    To create a positive image abroad of a certain country many countries invest a lot or resources to promote themselves. However citizens are not always aware of the activities the authorities tasked with this mission by their government carry out abroad. In this essay therefore we will investigate to what extent the official country promotion coincides with the vision of the country's citizens in the cases of Ukraine and Sweden. The aim of this essay is to investigate the experience of representatives of Sweden and Ukraine regarding the promotion of countries.

  2. What is post-Soviet literature today?    

    For large groups in the East, the fall of the Soviet Union was like a floodgate opening through which history flowed in. The period following 1991 has been described as transitional, and the literature as post-Soviet. In the panel discussion “Fast forward – Rewind” at the Stockholm Literature Fair at Kulturhuset in December 4, 2021, questions such as how this transition can be understood in retrospect, and how we are to talk about Russian literature of today, were addressed.

  3. Forgetting and Un-forgetting: 30 years of the USSR’s fall and Sergei Loznitsa

    The month of December began with three days of a much-awaited Symposium on the 30th Anniversary of the USSR’s Fall with the presence of film director Sergei Loznitsa in Stockholm. The Symposium, organized and realized by Professor Irina Sandormirsakaja, took place at Södertörn University and at the Swedish Film Institute between December 1-3, 2021.

  4. 1991-2021: Thirty Years After Urban Space in Transition after the Collapse of the USSR

    The roundtable ”Urban Space in Transition after the Collapse of the USSR” arranged at CBEES September 21, 2021 by Irina Seits, offered perspectives on the approaches to architectural heritage, and the ways memory is made and remade in urban spaces after the dissolution of the USSR, in four examples from both Moscow and St. Petersburg.

  5. Inside Russia. The Finnish dimension

    Kivinen, Markku & Humphreys, Brendan (eds.). (London and New York: Routledge 2021). xxv and 368 pages.

  6. A homage to the beauty of two hundred Baltic Sea lighthouses. A coffee table book rich with photos

    Fyrar runt Östersjön. [Lighthouses around the Baltic Sea] Magnus Rietz, (Stockholm: Lind & Co, 2019), 415 pages

  7. Conservative national narratives in Poland, Russia and Hungary. “We are the norm!”

    New Conservatives in Russia and East Central Europe. Eds. Katharina Bluhm and Mihai Varga (London: Routledge, 2019), 309 pages.

  8. Exploring modern urbanity through the public-private dichotomy. The case of a divided Berlin

    At the Edge of the Wall: Public and Private Spheres in Divided Berlin, Hanno Hochmuth, (Berghahn Books: New York, 2021), 358 pages.

  9. Reforming Child Welfare in the Post-Soviet Space. Institutional Change in Russia

    The deinstitutionalization as a policy shift introduced an entirely new principle of care in contemporary Russia. It brought the right to live in a family to the center of the care system, seeing residential, collective care as being harmful to children. The analysis shows that children left without family and placed in institutional care are mainly “social orphans”, meaning that their parents are alive but deprived of parental rights.

  10. 60 years after the plane crash: A New reading of Dag Hammarskjöld’s diary Markings

    From 1958, the lyric character of the diary entries becomes more intense. On the other hand they gain a further dimension of universality. They can be interpreted as saying that he would like the personal to remain even less known, and that the poeticizing is a means of concealment. Both may be equally true. If Markings were a fictional diary, one might say that the foreshadowing of death was a structural feature

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