Valter Bolevics, Jan Sjölin and Tatjana Volkova
Valters Bolevis is PhD Oec. Can. in business administration, Riga International School of Economics and Business Administration. Project manager. MS with distinction cum laude in the field of transport and maritime management from Institute of Transport and Maritime Management (ITMMA), Belgium, 2007.
Jan Sjölin is associate professor at the Baltic International Academy (BIA in Riga) and emeritus at the Technical University of IASI (CETEX). Served within the inner circle of CEEMAN (the Central and Eastern European Management Development Association) dealing with transition and evaluation of academic institutions.
Tatjana Volkova is professor in strategic management and innovation management and former rector of BA School of Business and Finance, Latvia. Her special research interests are design-driven innovations and creative industries. She is among other things a former President of Rector’s Conference of Latvia (2004—2011) and a former member of the European University Association Council.
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Articles by Valter Bolevics, Jan Sjölin and Tatjana Volkova
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Vid avantgardets korsvägar: Om Ivan Aksionov och den ryska modernismen [At the cross roads of the avant-garde: On Ivan Aksionov and Russian modernism, Lars Kleberg, Stockholm Natur & Kultur, 2015, 248 pages.
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Recent discussions on expanding Nord Stream highlight the fact that this unilateral effort by Russia and Germany has stirred further unrest among the other littoral states. Here it is argued that the EU, which has been repeatedly proposed as a mediator of the conflict, is unsuitable for this. Instead it is suggested that the Council of Baltic Sea States (CBSS), are more likely to be accepted as mediators, and more likely to be successful in that role.
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The conference Nuclear Legacies: Community, Memory, Waste, and Nature took place from September 14 to 16, 2017, at Södertörn University. It gathered about forty scholars engaged in nuclear issues, coming from twelve different countries and representing many different disciplines.
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The oral history archive of the non-profit organization Nenápadní hrdinovia (The Inconspicous Heroes) is considered as an example of a wider trend in Slovakia to exploit women’s memories for the purposes of conservative or nationalist interpretations of history, placing women in the traditional roles and discourses of victims, auxiliaries, and self-sacrifice. Using the concrete oral history project as a vehicle and a case study for the argument, the article contributes to the understanding of the current discursive landscape of memory of state socialism and of gender in Slovakia.
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This article discusses the main narratives employed by conservatives at the beginning of the 20th century to explain the political violence committed by women, and it shows how these narratives have been employed in the scholarly analysis of the topic. The article provides an answer to the question why progovernmental conservative views on the female terrorists and terrorism in prerevolutionary Russia have never been influential in the historiography.
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This paper examines women’s contribution to war and the perceptions of that contribution by comparing experiences of women in the Red Army during the Second World War and in the Ukrainian Armed Forces in the conflict in the Donbas region. Here it is argued that in both cases structural gender discrimination was ingrained in the military, which accepted women’s contribution to war in times of need, but treated that contribution as subsidiary, thereby distorting men’s and women’s experiences of warfare and facilitating the instrumentalized militarization of women.
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Agnieszka Mrozik analyzes the portrayals of women communists in the Stalinist period in Poland, produced in the framework of nationalist history during the illiberal turn. She argues that biographies of women dignitaries served the broader political function of delivering a cautionary tale against “excessive” liberation of women, so that female communists were often presented as beasts and demons rather than political agents.
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This paper discusses the current “herstorical turn” in professional and popular historiography and memory of WWII in Poland: a growing interest in women and the distinctiveness of their wartime experiences. Focusing on one dominant strand of this “herstorical turn” – nationalist herstory – the article reflects on the ways in which women’s history has become one of the platforms a broader illiberal political shift that is currently ongoing in Central Europe.
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In 2016, commemorations of the 60th anniversary of the 1956 Hungarian Revolution brought new conflicts in memory politics. This article analyzes the reasons for women’s absence from the historiography of the 1956 Revolution and discusses how the polypore state is using the populist turn to introduce hegemonic narratives and to include women in the narrative of “national feminism”.
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This paper is devoted to the semantics of the visual images of the Chinese-Eastern Railroad (KVGD)1 and the “Oriental Other” in the Russian public consciousness of the late 19th and early 20th centuries. Here it is that the construction of the KVGD was intended to be a symbol of the technological progress and spiritual strength of the Russian Empire in the Russian mass consciousness.
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