
Since the beginning of the full-scale invasion, the theme of war has appeared in all of the artist Alisa Gorshenina's pieces. Here the word peace in many languages. Photo: Alisa Gorshenina
Essays DEPOLITICIZATION OF ART A STRATEGY FOR NORMALIZATION OF THE CURRENT REGIME IN RUSSIA 2022–2024
The article examines the deliberate process of depoliticizing contemporary art in Russia. The repressive laws introduced also target art, especially certain themes, and there is heightened censorship: furthermore, law enforcement exerts direct pressure on individual art institutions and artists. Simultaneously, the state is implementing large-scale programs to support (state-approved) contemporary art: constructing new museums, organizing street art competitions, and supporting the art market. At times, the authorities employ a form of “agenda hijacking,” adopting globally relevant themes in the art world, such as decolonization. For the average citizen, an illusion of a vibrant contemporary art scene is created. Meanwhile, over the two years of the full-scale invasion of Ukraine, the ideological component of art, built on propaganda or stylistic canons, has not become central.
Published in the printed edition of Baltic Worlds BW 2025:1 pages 25-37
Published on balticworlds.com on April 16, 2025
abstract
The article examines the deliberate process of depoliticizing contemporary art in Russia. The repressive laws introduced also target art, especially certain themes, and there is heightened censorship: furthermore, law enforcement exerts direct pressure on individual art institutions and artists. Simultaneously, the state is implementing large-scale programs to support (state-approved) contemporary art: constructing new museums, organizing street art competitions, and supporting the art market. At times, the authorities employ a form of “agenda hijacking,” adopting globally relevant themes in the art world, such as decolonization. For the average citizen, an illusion of a vibrant contemporary art scene is created. Meanwhile, over the two years of the full-scale invasion of Ukraine, the ideological component of art, built on propaganda or stylistic canons, has not become central.
KEYWORDS: Depoliticization, contemporary art, censorship, art market, Russia.
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