Chorea Kozacky, a music ensemble under the leadership of the famous Ukrainian singer and kobzar Taras Kompanichenko (center), perform during a farewell ceremony in Kyiv on March 10, 2023. PHOTO: RUSLAN KANYUKA/UKRINFORM

Peer-reviewed articles Folk music (post)revival in (re)invented Ukrainian military funeral. A research note on wartime ritual practice

This research note investigates the revival of Ukrainian folk music in the (re)invented military funeral rituals during the ongoing war on Ukraine. Since the 2022 full-scale invasion, elements of folk music – such as historical Cossack songs, the Carpathian trembita, and lullabies – have re-emerged in urban civic mourning, symbolizing national grief, resistance, and identity. Drawing on concepts of revival, postrevival, and (re)invention (Livingston, Bithell & Hill, Hobsbawm, Prickett), the article examines how these musical forms are recontextualized in response to trauma and loss. Through three specific case studies, the article explores how Ukrainian folk music has been adapted to contemporary urban ritual settings and examines its role in shaping symbolic expressions of memory, resilience, and cultural continuity in wartime Ukraine. The study contributes to the broader discourse on the role of music in ritual transformation in the context of war and conflict.

Published in the printed edition of Baltic Worlds BW 2025:3, pp 73-81
Published on balticworlds.com on October 23, 2025

article as pdf Comments Off on Folk music (post)revival in (re)invented Ukrainian military funeral. A research note on wartime ritual practice Share
  • Facebook
  • del.icio.us
  • Pusha
  • TwitThis
  • Google
  • LinkedIn
  • Digg
  • Maila artikeln!
  • Skriv ut artikeln!

abstract

This research note investigates the revival of Ukrainian folk music in the (re)invented military funeral rituals during the ongoing war on Ukraine. Since the 2022 full-scale invasion, elements of folk music – such as historical Cossack songs, the Carpathian trembita, and lullabies – have re-emerged in urban civic mourning, symbolizing national grief, resistance, and identity. Drawing on concepts of revival, postrevival, and (re)invention (Livingston, Bithell & Hill, Hobsbawm, Prickett), the article examines how these musical forms are recontextualized in response to trauma and loss. Through three specific case studies, the article explores how Ukrainian folk music has been adapted to contemporary urban ritual settings and examines its role in shaping symbolic expressions of memory, resilience, and cultural continuity in wartime Ukraine. The study contributes to the broader discourse on the role of music in ritual transformation in the context of war and conflict.

KEYWORDS: Ukrainian folk music, revival, (re)invention of tradition, military funerals, wartime rituals.

DOWNLOAD THE FULL PAPER OA (see upper right corner)

Inna Shvorak

  • Peer-reviewed articles are scientific articles.

    Peer-reviewed articles have all been through a peer-review process. We practice double-blind peer-review. All material is reviewed by two independent specialists at least at post-doc level. A prerequisite for publishing scientific articles in Baltic Worlds is that the article has not already been published in English elsewhere. If an article is simultaneously being considered by another publication, this should be indicated when submitting.

    Would you like to contribute to Baltic Worlds? Click here!