Alexander Abramov, Maria Chernova and Alexander Radygin
Alexander Radygin, Director at the Institute of Applied Economic Research, the Russian Presidential Academy of National Economy and Public Administration (RANEPA), Moscow. He is also head of the Research Department and a board member at the Gaidar Institute for Economic Policy, Moscow.
Alexander Abramov, Professor at the Institute of Applied Economic Research, RANEPA. His main research interests span over the development of financial markets in Russia, with a special focus on institutional investors including pension and mutual funds.
Maria Chernova, Researcher at the Laboratory of Institutions and Financial Markets Analysis at the Institute of Applied Economic Research, RANEPA. Financial markets and financial risk management are her main research filed.
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Articles by Alexander Abramov, Maria Chernova and Alexander Radygin
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This essay explores how the politics of history in the time of conflict between Russia and Ukraine empowered various actors of Ukrainian public life, from the president to religious leaders, to advocate for an independent Orthodox church as “long-awaited historical justice.” By deconstructing historical narratives employed in 2018–2019, it argues that church independence was placed within a broader context of decolonisation and overcoming the Soviet legacy.
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The purpose of this theme section is to put the question of religion into the focus of the studies which approach different aspects of Ukrainian reality today and show how an analysis of an intricate interplay between religion, politics, and society can help us better understand this reality. The articles and interviews show the importance of including religion in the studies of societies and look closer into complex entanglements that reveal religious traces, sometimes in the most unexpected places.
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In 1949–1950, the Yugoslavian Chamber of Commerce commissioned architects Vjenceslav Richter (1917–2002) and Zvonimir Radić (1921–85) together with artists Ivan Picelj (1924–2011) and Alexandar Srnec (1924–2010) to shape several pavilions at various international trade fairs; in Stockholm twice. This text departs from a rich photographic documentation of the 1950 fair, discussing how and why Yugoslavia turned to modernism, why the artists shaped the pavilion the way they did, how it was received in Sweden. It also places the pavilion in a political context. As Yugoslavia was expelled from the Eastern Bloc in 1948, it had to find new alliances. The turn to modernism could be seen as a sign of this, but such reading also risks diminishing the role of modernism, leaving it as something that belongs to the liberal democracies in the West. The text argues against such narrow reading. It also discusses the role art history has played in forming a quite stereotype image of modernism and finally, it uses Roland Barthes “myth” as a way of looking at modernism from a multiple perspective.
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How can the loss of connection with history be experienced and expressed? The relationship with the past is difficult to capture and describe, although at some historic moments the emotional connection with the past becomes pivotal. This article introduces the debates on loss and cultivating the sense of losing the past in modernizing Russia in the late 19th – early 20th century. It contributes to the history of emotions, analyzing the discourse on the disappearance of Russian cultural history cultivated by intellectual and artistic circles around the journals Mir Iskusstva, Starye Gody and Iskusstvo in the late Russian Empire, and tracing distinct voices that problematized the relation to earlier times in Russia and promoted the preservation of Russian cultural and historical monuments. The article concludes that the discourse of losing the connection with Russia’s own past played an important role in forming the discourse and practices of Russian heritage preservation.
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This study offers the first analysis of anti-Roma propaganda in the District of Galicia (Distrikt Galizien, the DG), a part of the General Government (Das Generalgouvernement, the GG), by studying the dailies and several periodicals published in the District. It constitutes the first step in studying anti-Roma propaganda in the GG. While the wartime anti-Roma propaganda employed the pre-war images of Roma, those were manipulated, distorted and radicalized in accordance to the needs of the Nazi regime in the DG. The radicalization in the press paralleled introduction of regulations with anti-Roma edge and scaling up of Roma persecution in the GG. By 1943, the propaganda pieces alluded to solving “the Gypsy question” in the way that “the Jewish question” had been solved.
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This article will present the story of Jānis (Žanis) Lipke, a Latvian man living an ordinary life who became a national hero by saving fifty-five Jews from the brutality of the Nazi regime.
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The Grodzka Gate-NN Theater in Lublin is displaying maps about the memory of Jewish Central and Eastern Europe in an online exhibition. Martin Englund from Baltic Worlds meets curator and educator Piotr Nazaruk in a conversation about the memory maps, educating people about the Jewish history of Poland, nostalgia, and anti-Semitism.
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Unlike British or American vegetarian movements which arose during the 19th century, organized vegetarianism did not emerge in the Russian empire until the turn of the century. By the 1910s, a network of vegetarian circles flourished across the empire. Odessa presents a fascinating case study for examining dietary reform and vegetarianism. Using diverse sources, the article explores the evolution and implementation of grassroot vegetarian activism in the city of Odessa by focusing on its institutionalization and infrastructure, as well as on ideas, practices and activists. It scrutinizes the motives that guided actions, unfolds alliances and challenges that arose, and how these played out in practice, and identifies popularization strategies for vegetarian ideas, and forms of vegetarian consumption. The study sheds light on an unknown page of the history of Odessa and the Black Sea Region, as well as enriching existing knowledge of the histories of imperial and European borderlands.
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Tatiana Shchyttsova, is professor of Philosophy at the Department of Social Sciences and Academic Director of Center for Philosophical Anthropology, at the European Humanities University, Vilnius. Here in an interview on the present situation in Belarus, on the role of philosophy in times of revolution and change.
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Political institutions in a hegemonic authoritarian regime like Belarus tend to be downplayed, if not entirely ignored. While authoritarian regimes can sometimes masterfully direct constituent assemblies and other such fora, they represent a singular, politically-charged location within which protest energy and opposition efforts can be focused. Uncertainty is the enemy of autocrats and any chance for unwelcome deviations from a prescribed line can prove to be deeply destabilizing.
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Issue 2026, 1: