contributors

Charlotte Bydler and Dan Karlholm

Charlotte Bydler, Lecturer in art history at the School of Culture and Education at Södertörn University. Research interests comprise injustice, violence and political subjects. Project leader of “A New Region of the World? Towards a Poetics of Situatedness”.
Dan Karlholm, Professor of art history, Södertörn University, where he co-founded the Art History Department in 2003. Research interests: historiography, including the history and theory of art history in Sweden and Germany.

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Articles by Charlotte Bydler and Dan Karlholm

  1. What is post-Soviet literature today?    

    For large groups in the East, the fall of the Soviet Union was like a floodgate opening through which history flowed in. The period following 1991 has been described as transitional, and the literature as post-Soviet. In the panel discussion “Fast forward – Rewind” at the Stockholm Literature Fair at Kulturhuset in December 4, 2021, questions such as how this transition can be understood in retrospect, and how we are to talk about Russian literature of today, were addressed.

  2. Forgetting and Un-forgetting: 30 years of the USSR’s fall and Sergei Loznitsa

    The month of December began with three days of a much-awaited Symposium on the 30th Anniversary of the USSR’s Fall with the presence of film director Sergei Loznitsa in Stockholm. The Symposium, organized and realized by Professor Irina Sandormirsakaja, took place at Södertörn University and at the Swedish Film Institute between December 1-3, 2021.

  3. 1991-2021: Thirty Years After Urban Space in Transition after the Collapse of the USSR

    The roundtable ”Urban Space in Transition after the Collapse of the USSR” arranged at CBEES September 21, 2021 by Irina Seits, offered perspectives on the approaches to architectural heritage, and the ways memory is made and remade in urban spaces after the dissolution of the USSR, in four examples from both Moscow and St. Petersburg.

  4. Inside Russia. The Finnish dimension

    Kivinen, Markku & Humphreys, Brendan (eds.). (London and New York: Routledge 2021). xxv and 368 pages.

  5. A homage to the beauty of two hundred Baltic Sea lighthouses. A coffee table book rich with photos

    Fyrar runt Östersjön. [Lighthouses around the Baltic Sea] Magnus Rietz, (Stockholm: Lind & Co, 2019), 415 pages

  6. Conservative national narratives in Poland, Russia and Hungary. “We are the norm!”

    New Conservatives in Russia and East Central Europe. Eds. Katharina Bluhm and Mihai Varga (London: Routledge, 2019), 309 pages.

  7. Exploring modern urbanity through the public-private dichotomy. The case of a divided Berlin

    At the Edge of the Wall: Public and Private Spheres in Divided Berlin, Hanno Hochmuth, (Berghahn Books: New York, 2021), 358 pages.

  8. Reforming Child Welfare in the Post-Soviet Space. Institutional Change in Russia

    The deinstitutionalization as a policy shift introduced an entirely new principle of care in contemporary Russia. It brought the right to live in a family to the center of the care system, seeing residential, collective care as being harmful to children. The analysis shows that children left without family and placed in institutional care are mainly “social orphans”, meaning that their parents are alive but deprived of parental rights.

  9. 60 years after the plane crash: A New reading of Dag Hammarskjöld’s diary Markings

    From 1958, the lyric character of the diary entries becomes more intense. On the other hand they gain a further dimension of universality. They can be interpreted as saying that he would like the personal to remain even less known, and that the poeticizing is a means of concealment. Both may be equally true. If Markings were a fictional diary, one might say that the foreshadowing of death was a structural feature

  10. Aesthetics as Technique and Spatial Occupation in Hybrid Political Regimes

    The essay presents a new reflection on aesthetics within the wider understanding of the role of political rhythms in hybrid regimes. Aesthetics and politics “are not two permanent and separate realities about which it might be asked if they must be put in relation to one another”. On the contrary, the argument the author proposes in this essay presents an idea of how a political establishment disposes a new set of spatial practices through the field of aesthetics.

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