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Baltic Worlds appears four times a year. The journal publishes scholarly articles but also reviews, essays and commentaries. All content is […]
A scholarly journal from the Centre for Baltic and East European Studies (CBEES) Södertörn University, Stockholm.
Edward Kasinec is a Research Associate, Harriman Institute, Columbia University and, since 2014 Visiting Fellow, Hoover Institution, Stanford University. His career includes service as Reference Librarian/Archivist and Staff Advisor in Exhibitions in several prestigious institutions. Since 1969, Kasinec has published more than two hundred refereed articles and books.
Nathaniel Knight is a Professor of History and Chair of the History Department at Seton Hall University. Has published extensively on issues of ethnicity, race and the history of the human sciences in Imperial Russia.
Baltic Worlds appears four times a year. The journal publishes scholarly articles but also reviews, essays and commentaries. All content is […]
Second World, Second Sex: Socialist Women’s Activism and Global Solidarity during the Cold War. Kristen Ghodsee. Duke University Press, 2019, 328 pages.
Seasoned Socialism: Gender and Food in Late Soviet Everyday Life , Ed. by Anastasia Lakhtikova, Angela Brintlinger, and Irina Glushchenko. Bloomington, Indiana: Indiana University Press, 2019, 396 pages
Chernobyl: History of a Tragedy, Serhii Plokhy, Penguin (2019), 432 pages, Winner of the Baillie Gifford Prize 2018
We are, as my examples show, tricked into believing that archaeological research, museum practices, and the digitalization of museum objects, archived material, and so on will make a secret world more open and transparent and that this will be positive for the public, democracy, and for the scientific community. The real world is, however, much more dynamic and diverse but always out of reach for the public because of our naïve desire for the Internet. Archive and museum activities are a practice done in reality, not on the Internet, and so is research.
More than anything else, the avant-garde is the area of the production of the past: the colossal amounts of memoirs, artefacts, and photographs that are accumulated in archives — in different kinds of archives, including personal ones, but also state archives, and many others of different kinds.
Irina Sandomirskaja in a conversation with philosophers Jean-Luc Nancy and Peter Trawny on the subject of nationalism and cultural heritage.
There is an emerging regime of international law for protecting cultural heritage that focuses on three things: (1) conflict resolution between disputing parties, (2) safe return of cultural objects to legitimate claimants, and (3) criminal justice meted out to individuals who have acted in bad faith, mala fide.
The property of the disappeared first becomes mere “things” without name, use, or status. Then they turn into museum artifacts of ethnographic, aesthetic, or historical value (at least those of them that are not stolen by the “conquerors” nor rejected by the experts). Then, again, with the collapse of the museum project, what used to be displayed as cultural heritage turns again into “just things”. They burden their custodians who only wish to get rid of them.
In general, social disasters always result in the disproportionate excess of things: while humans perish en masse, artifacts survive in the form of market commodities and museum exhibit; as human life extinguishes in catastrophes, the life of objects gets more and more active in market exchanges, expropriations, and lootings. The history of Eastern Europe in the 20th century has witnessed many such episodes.