Lia Dostlieva and Andrii Dostliev
Lia Dostlieva is an Ukrainian artist, essayist, cultural anthropologist and researcher at Adam Mickiewicz University in Poznań, Poland. Focusing on trauma, postmemory, commemorative practices, and agency and visibility of vulnerable groups and how to process “difficult knowledge” and “difficult past”.
Andrii Dostliev is an independent Ukrainian artist, curator, and photography researcher currently based in Poland. His primary areas of interest are memory, trauma, identity – both personal and collective, and various aspects of queerness. Works in various media.
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Articles by Lia Dostlieva and Andrii Dostliev
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At the 4-days conference Atomic Heritage an international group of speakers discussed the legacies and geographies of nuclear cultures in sites ranging from Lithuania, Belarus, Ukraine, Russia, Japan, certain Pacific Islands, France, the UK, Sweden, the USA, and Germany -- to name but a few.
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Ashort article by the Australian historian Dirk Moses published on May 23, 2021, in the Swiss journal Geschichte der Gegenwart has sparked a heated debate among German intellectuals and historians on the singularity of the Holocaust. The debate partly presents itself as an updated version of the German historians’ debate (Historikerstreit) from the late 1980s.
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When looking at transitions from imperial to post-imperial rule, scholars have tended to look either at ruptures or at direct continuities of structures, laws, relationships, etc. I want to suggest a different approach. I believe we need to study more closely how political projects of a hugely different nature interact with one another across the divide of state collapse — and how this dynamic interaction raises expectations across long stretches of time. With a focus on East Central Europe, I would therefore like to present a specific, hopefully original narrative, but I also want to propose a research agenda.
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More beehives do not help the world’s wild bees — on the contrary, scientists warn of the competition that may arise. But agricultural landscapes with smaller farms and natural pastures are home to both wild pollinators and honeybees. Slovenia’s beekeepers have understood this — and now they want to show the way forward for the rest of the world.
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To create a positive image abroad of a certain country many countries invest a lot or resources to promote themselves. However citizens are not always aware of the activities the authorities tasked with this mission by their government carry out abroad. In this essay therefore we will investigate to what extent the official country promotion coincides with the vision of the country's citizens in the cases of Ukraine and Sweden. The aim of this essay is to investigate the experience of representatives of Sweden and Ukraine regarding the promotion of countries.
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For large groups in the East, the fall of the Soviet Union was like a floodgate opening through which history flowed in. The period following 1991 has been described as transitional, and the literature as post-Soviet. In the panel discussion “Fast forward – Rewind” at the Stockholm Literature Fair at Kulturhuset in December 4, 2021, questions such as how this transition can be understood in retrospect, and how we are to talk about Russian literature of today, were addressed.
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The month of December began with three days of a much-awaited Symposium on the 30th Anniversary of the USSR’s Fall with the presence of film director Sergei Loznitsa in Stockholm. The Symposium, organized and realized by Professor Irina Sandormirsakaja, took place at Södertörn University and at the Swedish Film Institute between December 1-3, 2021.
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The roundtable ”Urban Space in Transition after the Collapse of the USSR” arranged at CBEES September 21, 2021 by Irina Seits, offered perspectives on the approaches to architectural heritage, and the ways memory is made and remade in urban spaces after the dissolution of the USSR, in four examples from both Moscow and St. Petersburg.
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Kivinen, Markku & Humphreys, Brendan (eds.). (London and New York: Routledge 2021). xxv and 368 pages.
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Fyrar runt Östersjön. [Lighthouses around the Baltic Sea] Magnus Rietz, (Stockholm: Lind & Co, 2019), 415 pages
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