A scholarly journal from the Centre for Baltic and East European Studies (CBEES) Södertörn University, Stockholm.
Issue 2026, 1: Download.
Lise Meitner senior fellow at the Institute for Contemporary History at the University of Vienna. His research focus is on migration and media representation.
The growing sector of heritage industry and creative uses of the past in Russia illustrate that, besides the undeniable existence of restorative nostalgia, there are other, more progressive forms of nostalgia that address social change and the protection of heritage sites.
This essay examines Swedish heritage politics from the 1920s up to the present by studying official inquiries during this period. Through a critical, historical and empirical discussion, it reveals how the meaning of the word kulturarv (heritage) has been adjusted to correspond to wider changes in Swedish politics. It shows how a relatively neutral understanding of the word kulturarv has been turned into an ambiguity. In this essay I suggest from the material at hand that this trajectory of change results from the development of global capitalism, which turned identity into a commodity. This essay concludes that in a post-heritage future we therefore need a new understanding of identity, an open identity, and that we need to take existential responsibility for our lives.
Political and scholarly debates on European (meso-)regions have returned time and again over the past 100 years. The conceptualizations of Central and Eastern Europe plays a major role in the debates, which affects the Baltic Sea region and Northern Europe as well. These issues have already been addressed many times, but recently, a new development deserves our attention: the launch of the “Three Seas Initiative” in the summer of 2015 by the presidents of Poland and Croatia, comprising 12 EU member states between the Baltic, Adriatic and Black Seas.
The photo albums from German soldiers during WW II have, 75 years after the war’s ending, increasingly been auctioned off at internet auctions. Several photo albums contain traces of Eastern Europe’s Jewish life and how this is suddenly set against the rapidly emerging terror. Throughout many of the images, the photographer’s gaze is on something that is seen as inferior, laughable, exotic, war tourists’ motives worth documenting to show them at home: Eastern European Jews.
The author has analyzed the coverage of the 30th anniversary of the Roundtable Agreement and June elections in Polish newspapers of all political hues. Additionally several official speeches held in connection with the commemorations have been scrutinized. The goal has been to examine the uses of memory of 1989 in Polish politics of 2019 and highlight the strategic choices and constraints faced by mnemonic actors in this context. Thus, the study presented may be seen as a follow-up to Bernhard’s and Kubik’s investigation conducted ten years ago. However, this analysis expands the focus of Bernhard’s and Kubik’s work by paying special attention to cultural constraints on politics of memory. Thus, the aim is both to give insight into contemporary politics of memory in Poland in relation to the recent past and contribute to the more general understanding of how culture works in politics of memory.
Reindeer herding Sami won huge success when the Supreme Court last year gave the Sami village Girjas the right to decide on hunting and fishing within the village boundaries. Now the Sami hope to have a greater influence over land use also in other areas, such as mining and construction of wind farms. But the prospects there are not as good.
The economic development in four Post-Soviet countries; Russia, Belarus, Ukraine and Kazakhstan were compared and discussed during this Roundtable. From the late 1990s new opportunities for growth emerged, but this growth was both temporarily and unstable is here argued. The role of the state is also elaborated.
Preliminary Programme (links, dates, and hours to be specified, all subject to eventual changes) In December 1991, the Soviet […]
When we look at our monuments, why is there so much presence and, at the same time, so much absence? Or is there not enough presence and not enough absence? Or is there too much presence and not enough absence? Or is there not enough presence and too much absence? And what can we do about this (dis)balance?
In this article the author, a multidisciplinary artist, reflects on the process of making the video project Red, 2015, (21:45 min.) and a sound installation The White Wall, 2015 (9:30 min.) about post-Soviet times and transgenerational silence about experiences with the Soviet Union.