Memories of the War in Soviet and Russian Spy Cinema Evolution of Trauma
This paper analyzes Soviet and Russian spy films with respect to maintaining and transmitting memories of the Great Patriotic War (1941–1945) in popular culture. The new Russian post-Soviet cinema (after the 2000s) about the “war spies” is considered not only with regard to its entertainment and ideological functions, but also with regard to its function as a “post-memory” of the traumatic experiences of the war and the Nazi occupation. The new Russian cinema about espionage and spies reinterprets the issues of dependent people, Stalinist repressions, and traumatic memories that were absent in Soviet cinema.
Issue 2026, 1: