Valter Bolevics, Jan Sjölin and Tatjana Volkova
Valters Bolevis is PhD Oec. Can. in business administration, Riga International School of Economics and Business Administration. Project manager. MS with distinction cum laude in the field of transport and maritime management from Institute of Transport and Maritime Management (ITMMA), Belgium, 2007.
Jan Sjölin is associate professor at the Baltic International Academy (BIA in Riga) and emeritus at the Technical University of IASI (CETEX). Served within the inner circle of CEEMAN (the Central and Eastern European Management Development Association) dealing with transition and evaluation of academic institutions.
Tatjana Volkova is professor in strategic management and innovation management and former rector of BA School of Business and Finance, Latvia. Her special research interests are design-driven innovations and creative industries. She is among other things a former President of Rector’s Conference of Latvia (2004—2011) and a former member of the European University Association Council.
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Articles by Valter Bolevics, Jan Sjölin and Tatjana Volkova
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Political and scholarly debates on European (meso-)regions have returned time and again over the past 100 years. The conceptualizations of Central and Eastern Europe plays a major role in the debates, which affects the Baltic Sea region and Northern Europe as well. These issues have already been addressed many times, but recently, a new development deserves our attention: the launch of the “Three Seas Initiative” in the summer of 2015 by the presidents of Poland and Croatia, comprising 12 EU member states between the Baltic, Adriatic and Black Seas.
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The photo albums from German soldiers during WW II have, 75 years after the war’s ending, increasingly been auctioned off at internet auctions. Several photo albums contain traces of Eastern Europe’s Jewish life and how this is suddenly set against the rapidly emerging terror. Throughout many of the images, the photographer’s gaze is on something that is seen as inferior, laughable, exotic, war tourists’ motives worth documenting to show them at home: Eastern European Jews.
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The author has analyzed the coverage of the 30th anniversary of the Roundtable Agreement and June elections in Polish newspapers of all political hues. Additionally several official speeches held in connection with the commemorations have been scrutinized. The goal has been to examine the uses of memory of 1989 in Polish politics of 2019 and highlight the strategic choices and constraints faced by mnemonic actors in this context. Thus, the study presented may be seen as a follow-up to Bernhard’s and Kubik’s investigation conducted ten years ago. However, this analysis expands the focus of Bernhard’s and Kubik’s work by paying special attention to cultural constraints on politics of memory. Thus, the aim is both to give insight into contemporary politics of memory in Poland in relation to the recent past and contribute to the more general understanding of how culture works in politics of memory.
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Reindeer herding Sami won huge success when the Supreme Court last year gave the Sami village Girjas the right to decide on hunting and fishing within the village boundaries. Now the Sami hope to have a greater influence over land use also in other areas, such as mining and construction of wind farms. But the prospects there are not as good.
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The economic development in four Post-Soviet countries; Russia, Belarus, Ukraine and Kazakhstan were compared and discussed during this Roundtable. From the late 1990s new opportunities for growth emerged, but this growth was both temporarily and unstable is here argued. The role of the state is also elaborated.
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Preliminary Programme (links, dates, and hours to be specified, all subject to eventual changes) In December 1991, the Soviet […]
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When we look at our monuments, why is there so much presence and, at the same time, so much absence? Or is there not enough presence and not enough absence? Or is there too much presence and not enough absence? Or is there not enough presence and too much absence? And what can we do about this (dis)balance?
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In this article the author, a multidisciplinary artist, reflects on the process of making the video project Red, 2015,
(21:45 min.) and a sound installation The White Wall, 2015 (9:30 min.) about post-Soviet times and transgenerational silence about experiences with the Soviet Union.
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The narrative in this article is based on a reconstruction of my personal curatorial experience while working on the exhibition “A Difficult Age: Vilnius, 1939–1949”. The exhibition’s chronological framework – 1939 to 1949 – was established with a focus on historical realities and aimed to frame the narrative of the guest exhibition. The public knowledge of the history of multi-national Vilnius is full of conscious and unconscious omissions, in large part caused by oblivion, but no less by the unwillingness to remember, ignorance, and the refusal to know or even fear of finding out. The narrative based on the history of visual art and artists’ lives is a way to bring up controversial topics and open new perspectives.
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In his book of reportage: Białystok. White Power, Black Memory Marcin Kącki documents oblivion and denial of the memory of the former Jewish inhabitants of the city; paradoxically, it is also a call for this memory to be restored. In other words, we are dealing here with the two basic attitudes and forms of remembering historical trauma, distinguished by LaCapra: The first results in the process of “working-through”; the other is based on denial and results in “acting-out”.
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