Valter Bolevics, Jan Sjölin and Tatjana Volkova
Valters Bolevis is PhD Oec. Can. in business administration, Riga International School of Economics and Business Administration. Project manager. MS with distinction cum laude in the field of transport and maritime management from Institute of Transport and Maritime Management (ITMMA), Belgium, 2007.
Jan Sjölin is associate professor at the Baltic International Academy (BIA in Riga) and emeritus at the Technical University of IASI (CETEX). Served within the inner circle of CEEMAN (the Central and Eastern European Management Development Association) dealing with transition and evaluation of academic institutions.
Tatjana Volkova is professor in strategic management and innovation management and former rector of BA School of Business and Finance, Latvia. Her special research interests are design-driven innovations and creative industries. She is among other things a former President of Rector’s Conference of Latvia (2004—2011) and a former member of the European University Association Council.
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Articles by Valter Bolevics, Jan Sjölin and Tatjana Volkova
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For many of its practitioners, creating sound poetry means vigorously demonstrating the here and now of the poem, which has no counterpart in text; encouraging the people in the audience to place trust in their own listening rather than look to a text for answers; and by extension challenging the idea of an object which lends itself to ownership, or can be saved to experience later.
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Brasch’s novella does two things: it presents lives smothered by incarceration, and it also places the reader on the other side of the barrier, as a witness to the road movie that crashes into the Wall.
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The post-Soviet Estonian politics of memory have centered on the themes of national suffering and heroism, which function as a “dominant narrative and state-supported memory regime”. The fixation on victimhood has served as a screen memory18 for avoiding questions about the Holocaust in Estonian territory and the collaboration of Estonians in Soviet rule.
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This article focuses on the texts of songs, poems, prayers, and jokes created by Lithuanians deported to Eastern Siberia in large-scale relocations from the Lithuanian Soviet Republic in 1948 and 1949.
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The deportation of children, the elderly, and the sick transformed Łódź from a traditional ghetto to an industrial slave city and established the motto for which Rumkowski would become known: work is our only way out.
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The crucial matter of creating a Latvian “national” university in the aftermath of World War I may be seen as an example of the way this new nation was structured in both symbolic and practical terms. This academic institution provided an arena for rewriting the nation’s past history and recreating its folklore customs — both essential to Latvian culture.
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In order to ascend another rung on the development ladder, all three Baltic countries are engaged in higher education reform. Latvia has the furthest to go.
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The Baltic Sea Library is a web-based literary project run by a group of editors from all the countries surrounding the Baltic Sea, plus Iceland. The website resembles an anthology and contains poetry, novel excerpts, and other genres in all the literatures of the region. The unifying aspect is something the editors call “Balticness”, and each text is accompanied by an explanation of its connection to the Baltic Sea.
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Edward S. Herman (ed.) The Srebrenica Massacre Evidence, Context, Politics. Foreword by Phillip Corwin, 2011, 300 pages
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Journal of Baltic Studies, March 2009, Journal of the Association for the Advancement of Baltic Studies
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