A view of the exhibition “Rescued Lithuanian Jewish Child Tells about the Shoah” visited in summer 2024 in Vilna Gaon Museum of Jewish History. Photo: Olga Bubich

Commentaries MEMORY FOR SALE: ETHICAL DILEMMAS AND THE COMMODIFICATION OF THE HOLOCAUST

The thematic bookstalls, on the eve of International Holocaust Remembrance Day in the Italian city of Turin, January 2025, show a range of covers, some only rather vaguely connected with the traumatic past in the context that they are displayed in. The Storyteller of Auschwitz is just one of many in the same vein, blending real events with fictionalized narratives. The Italian version sold at Milan airport as an on-the-plane read has a title that literally translates as “a girl who wrote love stories in Auschwitz”, and the cover shows the image of a malnourished child in bedraggled clothes with the eerie Birkenau gate contour as background. This leads to reflections on the many layers of Holocaust portrayal, 80 years after the end of WWII, and its implications.

Published in the printed edition of Baltic Worlds BW 2025:1 pages 16-20
Published on balticworlds.com on April 16, 2025

The thematic bookstalls, on the eve of International Holocaust Remembrance Day in the Italian city of Turin, January 2025, show a range of covers, some only rather vaguely connected with the traumatic past in the context that they are displayed in. /…/ The Storyteller of Auschwitz is just one of many in the same vein, blending real events with fictionalized narratives. The Italian version sold at Milan airport as an on-the-plane read has a title that literally translates as “a girl who wrote love stories in Auschwitz”, and the cover shows the image of a malnourished child in bedraggled clothes with the eerie Birkenau gate contour as background. This leads to reflections on the many layers of Holocaust portrayal, 80 years after the end of WWII, and its implications.

Download the whole commentary as a pdf in the upper right corner.

Olga Bubich