A big Plattenbau brutalist building in Berlin. Photo: Shutterstock

A big Plattenbau brutalist building in Berlin. Photo: Shutterstock

Essays Nostalgia or nightmare? Recollections of urban childhood in Eastern Germany

If the grand narrative of German reunification in the autumn of 1989 in media discourse used to be a more or less coherent story of successful reconciliation, recent political developments have made it necessary to question some of the nuances of this seemingly flawless narrative. One way of doing this is to present personal memories in narrative form for consideration as more or less autobiographical accounts from the inside, so to speak. A growing number of writers who were children and young people 35 years ago, at the time of reunification, are now starting to write about their childhood and memories of the reunification process. These stories display more or less biographical features, albeit composite and contrived. In this paper, two novels, both dealing with the past, are compared: Grit Lemke’s affirmative oral history Kinder von Hoy (2021) and David Blum’s more critical Dantesque underworld narrative Kollektorgang (2023). Lemke’s depiction of a happy childhood is rather nostalgic, if not downright ostalgic (“East-nostalgic”), while Blum’s is much more discerning. Generational considerations may explain this difference in approach. What they have in common is that they ascribe significance to the big city with its high-rise buildings as a symbol of a collapsed system, based on their own memories of reunification.

Published in the printed edition of Baltic Worlds BW 2024:4, pages 4-13
Published on balticworlds.com on December 9, 2024

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abstract

If the grand narrative of German reunification in the autumn of 1989 in media discourse used to be a more or less coherent story of successful reconciliation, recent political developments have made it necessary to question some of the nuances of this seemingly flawless narrative. One way of doing this is to present personal memories in narrative form for consideration as more or less autobiographical accounts from the inside, so to speak. A growing number of writers who were children and young people 35 years ago, at the time of reunification, are now starting to write about their childhood and memories of the reunification process. These stories display more or less biographical features, albeit composite and contrived.
In this paper, two novels, both dealing with the past, are compared: Grit Lemke’s affirmative oral history Kinder von Hoy (2021) and David Blum’s more critical Dantesque underworld narrative Kollektorgang (2023). Lemke’s depiction of a happy childhood is rather nostalgic, if not downright ostalgic (“East-nostalgic”), while Blum’s is much more discerning. Generational considerations may explain this difference in approach. What they have in common is that they ascribe significance to the big city with its high-rise buildings as a symbol of a collapsed system, based on their own memories of reunification.

KEYWORDS: GDR, memory, Grit Lemke, Kinder von Hoy, David Blum, Kollektorgang.

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  • by Lisa Källström and Jana Mikota

    Lisa Källström: PhD, Researcher in the field of visual rhetoric at the Department of Culture and Education at Södertörn University and a Project Researcher funded by The Foundation for Baltic and East European Studies. Jana Mikota: PhD, literature writer, and teacher at the University of Siegen and a Project Researcher in the fields of GDR literature, multilingualism, cultural ecology and poetry.

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  • Essays are scientific articles.

    Essays are selected scholarly articles published without prior peer-review process.

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