It is here claimed that it is practically impossible to determine whether the collector and connoisseur in question (namely Igor Immanuilovich Grabar, 1879—1960) was, indeed, saving his objects from scattering and destruction — or contributing to their further enslavement by exploiting them in a capacity that was radically alien, if not inimical, to their nature.
Essay by
Irina Sandomirskaja
June 18, 2018
The Basilys had both the means and opportunities to collect and exhibit Imperial elite art and books. In doing so, it is argued here that they wished to present an alternative narrative of Russia’s past to the Soviet political, economic, and modernist artistic program that they witnessed unfolding in Soviet Russia.
Essay by
Edward Kasinec
June 18, 2018
A growing number of architects, artists and academics have been protesting against the rapid transformation of the Old Town in Tbilisi, claiming that World Heritage is demolished. But there is a dilemma: many of the Old Town inhabitants welcome the changes.
By
Sara Bergfors
January 24, 2014