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Articles by Katri Pynnöniemi

1. Decolonizing knowledge production UKRAINE BETWEEN RUSSIAN, SOVIET, AND POST-SOVIET SPACES

   The essay analyzes the role of Western art institutions in supporting and promoting imperialist views on both the cultural and political history of what once was the Russian Empire, then the Soviet Union, and then the so-called “post-Soviet” space while they universalized and homogenized the multiple, complex, heterogenic, interconnected voices that temporally and spatially fell within the boundaries of the Russian Empire in its various forms. It looks into the case of the market-driven umbrella terms of “Russian art” and “Russian avant-garde,” as presented in several exhibitions in major Western museums between 2016 and 2019, dedicated to the centennial of the October Revolution, often called the Russian Revolution. The research focuses on the artists connected to Ukraine. It attempts to do them epistemic justice by restoring the complexity of the interconnections, contexts, and traditions they grew out of and were inspired by, as well as the ones they reworked, deconstructed, and revolutionized. By referring to decolonial thinkers, it combines and compares how imperial thinking, frames of reference, and coloniality work in symbolic and knowledge production.

2. THE DEADLOCKS OF MEMORY AND THE (NO LONGER) POST-SOVIET COLONIALITY, or CAN MEMORY BE DECOLONIZED?

   The article reflects if it is possible to decolonize memory in the former Soviet republics that have been gradually moving centrifugally towards different political allegiances. It is needed to go beyond the postcolonial/post-Soviet national optic and consider inter-imperial (Doyle) and non-nation-state post-imperial (Burbank and Cooper) models and other unrealized alternatives. The article focuses on coloniality of memory critically engaging with various concepts including “dismembering” (Thiong’o), “mankurtism” (Aitmatov), “Myalism” (Brodber), “multidirectional memory” (Rothberg), “double critique” (Khatibi), “species memory” (Kaiser and Thiele), and the “third way” (Wynter). It sets the goal of tracing possible paths for rethinking of what it means to remember in a human way and what it takes to engender a global mnemonic transversal network of solidarity for refuturing.

3. RUSSIAN-UKRAINIAN WAR: The tragedy of the cultural heritage of Ukraine

   This article exposes the extent of Russian cultural aggression: the looting of museums and appropriation of items of the Ukrainian museum foundation, the damage to and demolition of archaeological sites of Ukraine, the explosion of the Kakhovka dam and the consequences of this disaster for Ukrainian cultural heritage, and the cultural erasure of Crimean Tatars.

4. War as a trigger THE AGGRAVATION OF INTER-ORTHODOX RELATIONS IN UKRAINE AND THE WORLD

   In this article the authors seek to analyze the difficult situation in which Orthodoxy finds itself in Ukraine. It shows that as a result of the Russian Federation’s military attack on sovereign Ukraine, inter-Orthodox relations, already complicated, have been further challenged. The authors investigate the factors that aggravate inter-Orthodox relations, their influence on world Orthodoxy, the reaction of Ukrainian citizens to confrontation in the religious sphere, and possible ways of overcoming inter- Orthodox confrontation.

5. TIKTOK and TELEGRAM as platforms for political mobilization in Belarus and Russia

   Over the past decade, social networking platforms have become an important communication channel for protesters in autocratic countries. In August 2020 and January 2021, the messaging application Telegram and social media platform Tik-Tok became platforms for protest mobilization and coordination in Belarus and Russia respectively. This article applies previous research within social movements and democratization studies about the use of Facebook and Twitter to instigate and galvanize protests in autocratic countries in order to explore how protest mobilization on newly politicized platforms such as Telegram and TikTok is manifested. For this purpose, we conducted a qualitative content analysis of 1,128 protest-related publications (posts) on Telegram’s channel NextaLive and 100 videos on TikTok. The conclusion provides an extended framework for analyzing political mobilization online and argues that social networking platforms can themselves be considered spaces that are commensurate with those of offline protest and not merely tools to stimulate democratic participation.

6. “ THE SWEDISH STATE IS BREAKING UP WITH CIVIL SOCIETY”

   International Conference “Exploring the relation between antigender politics and democracy: the Baltic Sea region and beyond” held at Södertörn University on September 26–27, 2024. The conference brought together scholars, activists, and politicians to address the challenges of antigender politics in the Baltic sea region. Funded by the Foundation for Baltic and East European Studies, it was a part of a Horizon Europe project: Co-Creating Inclusive Intersectional Democratic Spaces Across Europe CCINDLE.

7. RUSSIA AND GERMANY IN TUG-OF-WAR OVER IMMANUEL KANT

   This year, 300 years have elapsed since the great German philosopher Immanuel Kant was born in 1724 in Königsberg, in what was then East Prussia.

8. Challenging the nationalist hegemony The third generation displaced persons and new approaches to the difficult past

   Review article of Kassandra Larysa Luciuk, Making Ukrainian Canadians: Identity, Politics, and Power in Cold War Canada, (Ph.D. Dissertation, University of Toronto, 2021) xv+338 pages.

9. The depiction of hippies in Soviet Latvia IN MIERVALDIS BIRZE’S Rozā  ZILONIS [THE PINK ELEPHANT]

   The article discusses the portrayal of hippies in The Pink Elephant (Rozā zilonis, 1976), a story by the Latvian SSR writer and physician, Miervaldis Birze (1921–2000). The author’s attitude towards this counterculture is mostly critical, even patronizing; however, it is through the portrayal of the hippies, Broņislavs and Baiba, that the author indulges in a conversation about young adulthood, revives the story, and even trifles with the questionable or inadmissible aspects of life. The Pink Elephant, when read through the lens of renewed interest about Soviet hippies, reveals their living conditions, attitude towards power, their parents, and themselves. As opposed to their Western counterparts, the impoverished Soviet hippies (who had experienced the system of blats and the shadow economy) did not condemn consumerism; in fact, they sought out material goods, especially those originating from the other side of the ocean.

10. Nostalgia or nightmare? Recollections of urban childhood in Eastern Germany

    If the grand narrative of German reunification in the autumn of 1989 in media discourse used to be a more or less coherent story of successful reconciliation, recent political developments have made it necessary to question some of the nuances of this seemingly flawless narrative. One way of doing this is to present personal memories in narrative form for consideration as more or less autobiographical accounts from the inside, so to speak. A growing number of writers who were children and young people 35 years ago, at the time of reunification, are now starting to write about their childhood and memories of the reunification process. These stories display more or less biographical features, albeit composite and contrived. In this paper, two novels, both dealing with the past, are compared: Grit Lemke’s affirmative oral history Kinder von Hoy (2021) and David Blum’s more critical Dantesque underworld narrative Kollektorgang (2023). Lemke’s depiction of a happy childhood is rather nostalgic, if not downright ostalgic (“East-nostalgic”), while Blum’s is much more discerning. Generational considerations may explain this difference in approach. What they have in common is that they ascribe significance to the big city with its high-rise buildings as a symbol of a collapsed system, based on their own memories of reunification.

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