contributors

Articles by Oksana Shmulyar Gréen & Andrea Spehar

1. Maidan, memory, and museum Relations between aesthetics and revolution, 2014–2021

   This paper delves into the ways in which art and cultural expressions have helped to preserve the memory of the Ukrainian Revolution and how the Maidan Museum contributes to this effort. Specifically, the study explores the significance of the Maidan event in Ukraine’s national memory culture and how it is being integrated into the country’s historical narrative as part of the decommunization and decolonization processes. Additionally, the text examines how the politics of memory, as expressed through the museum’s performances and aesthetics, can serve as a tool of collective and national resistance. Ultimately, the article argues that the Maidan event is not fixed but rather dynamic, and Maidan memory plays a critical role in Ukraine’s ongoing transition away from a shared historical past with Russia.

2. What art knows about democracy The aesthetics of the Revolution in Ukraine 2013–2014

   Based in part on interviews and fieldwork, this article analyzes how artworks produced during the Ukrainian Revolution (2013–2014) present the political emergence of the Ukrainian people as a collective fused by bonds of solidarity. At first characterized by a strong universal thrust, presenting a boundless democratic anticipation, this solidarity was subsequently contained by religious-political traditions and specific forms of self-sacrificing and masculinist nationalism, often projected as a revolutionary utopia in its own right, which has been operationalized in the defense against Russia’s invasion. To substantiate the argument, the text analyzes numerous artworks from the Ukrainian Revolution. These interpretations demonstrate how aesthetic acts contribute to the production of bonds of solidarity that transcend existing modes of political and cultural representation of Ukraine.

3. Confined within the law Roma in Polish police journals 1920–1939

   This article analyzes the Polish police narrative on Roma during the interwar time, unveiling attitudes and potential practices. According to the police journals and handbooks, Roma were mobile and disposed to theft and deceit. Their traditional crafts were merely a smoke screen for illicit activities. As countermeasures, searches of caravans, meticulous checks of identity documents, indiscriminate fingerprinting of Roma suspects, among several measures, were recommended. This narrative constituted part of a larger police professional discourse and is likely to be an indicator of practices on Roma. Polish police followed the contemporary European expertise on Roma produced by the fields of criminalistics and criminology. As there were no discriminatory laws targeting Roma in Poland, it appears that police used legislation against begging and vagrancy, among other tactics.

4. The Eastern policy Towards an understanding of the Polish geopolitical code

   The aim of the article is to examine what is called the “Polish Eastern policy”. This concept covers certain conceptual foundations on which subsequent governments in Warsaw have tried to build their relations with their neighbors from the post-Soviet area. The topic has already been widely described and discussed. Due to the limited volume of the article, this issue will be considered mainly in the context of the example of Polish-Ukrainian relations. The starting point will be a description of the circumstances in which Poland was the first country in the world to recognize the independence of Ukraine in 1991. Then, the motives of Polish decision-makers will be characterized. This applies both to 1991 and to the way they behaved during subsequent “Ukrainian crises.” For this purpose, Colin Flint’s concept of “geopolitical code” will be used.

5. TCHAIKOVSKY’S MAZEPA IN THE RUSSO-UKRAINIAN WAR. Rescuing a cultural hero for a sovereign nation

   This essay considers the myths surrounding the historical figure of Hetman Mazepa and their artistic expressions. More specifically, it compares and contrasts two recent stage versions of Pyotr Tchaikovsky’s Mazepa opera by theaters in Kharkiv in 2017 and Moscow in 2021, at the time of the Russian military operations on the territory of Ukraine. The desire of Ukrainian directors to return honors to the national hero is opposed by the Russian interpretation of the image of Mazepa as an archetype of a traitor. The essay shows how the Ukrainian version updated the plot and liberated the Mazepa myth from Russian and Soviet imperial distortions, thereby connecting the opera’s events with the contemporary struggle for a sovereign state. Meanwhile, underneath its modernist surface, the Russian version maintained the opera’s age-old metropolitan view of Ukraine as inferior.

6. Prigozhin’s patriot media group just like a nesting doll

   Alongside the private military company Wagner and his notorious Internet Research Agency (IRA), Yevgeny Prigozhin was associated with the Patriot Media Group (PMG) which amplified state narratives through its webpages and was registered by Roskomnadzor, the federal agency for supervision of Russian media. The Patriot Media Group was shut down after the mutiny, June 23, 2023, while most of its channels were removed or remain inactive currently. The essay provides a brief account of the Patriot Media Group’s structures, partnerships, and campaigns based on digital ethnographic observations of their web channels. The news coverage from predominantly Russian language news outlets sheds light on how the Group operated and what happened after Prigozhin’s mutiny. The essay concludes with some directions for future research on a complex and murky media production facility.

7. The epidemic of broken compasses Normalization of violence and Soviet propaganda in today’s Russia

   With skillfully designed propaganda that presents the Soviet past in rosy colors only, little is remembered about the Gulag, repressions, censorship, and poverty. “People feel nostalgia for the taste of Soviet sausage,” a critical acquaintance of mine born in the Belarusian Soviet Republic commented. “But no-one remembers that they ate it only once a month”.

8. The death of Alexei Navalny and the eternal return of the Gulag

   Commemoration in Russia of Navalny, also one person with one life, revealed historical continuity with the pain of the past, but perhaps more importantly established a sense of community with those who suffered before us. When the first flowers appeared in front of previously desolate memorials to victims of political oppression, grief mixed with hope to create an unexpected feeling of togetherness.

9. The Anthropocene? Knowledge and practice in times and spaces of unravelling

   In a panel discussion and workshop organized by doctoral students and Södertörn and Uppsala Universities, we set out to explore how the idea of the Anthropocene encompasses – and disrupts – various temporalities and spatialities, as seen from these various angles.

10. Nation and narration

    The article considers the emergence of nationalisms during the period of the downfall of socialist regimes in Eastern Europe and concentrates on the formation of Slovene nationalism through the spyglass of historic narration. The Slovene case may provide some general lessons as to how, in national narrations, history is retroactively homogenized: all significant landmarks of Slovene history that now form the core of the narrative presented at the time the major breaks with the then standards of Slovene national identity.

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