A scholarly journal from the Centre for Baltic and East European Studies (CBEES) Södertörn University, Stockholm.
Issue 2024, 3: Download.
167 articles tagged with russia were found.
Vid avantgardets korsvägar: Om Ivan Aksionov och den ryska modernismen [At the cross roads of the avant-garde: On Ivan Aksionov and Russian modernism, Lars Kleberg, Stockholm Natur & Kultur, 2015, 248 pages.
This article discusses the main narratives employed by conservatives at the beginning of the 20th century to explain the political violence committed by women, and it shows how these narratives have been employed in the scholarly analysis of the topic. The article provides an answer to the question why progovernmental conservative views on the female terrorists and terrorism in prerevolutionary Russia have never been influential in the historiography.
In his contribution to the volume Russian Literature since 1991 entitled “The Postmodernist Novel”, Mark Lipovetsky makes the now rather widespread claim that the Russian postmodernist post-Soviet novel represents a break with the totalizing tendencies of the socialist realist novel and opens for new ways of experiencing and conceptualizing the world. In this paper this claim is critically examined on the basis of a reading of Viktor Pelevin's Chapaev i Pustota (transl. as Buddha’s Little Finger or Clay Machine Gun against the backdrop of contemporary debates about realism and simulacra. Here it is argued that the Soviet myth of Chapaev lends itself to the totality of the private myth.
Låt oss dö som hjältar: kvinnliga soldater i revolutionens Ryssland [Let us die as heroes: Female soldiers in the Russia of the Revolution and the Civil War] Per Enerud, Carlsson Bokförlag 2014, 275 pages.
The article provides a closer reading of Walter Benjamin’s essays Experience and Poverty and Moscow, by juxtaposing the records of his visit to Russia in 1926–1927 with the author’s reflections on the nature of the transformations in the urban space of an early Soviet city. By using the dystopian image of Mickey Mouse as the desired inhabitant of modernity introduced by Benjamin in Experience and Poverty, Seits gives the allegorical and comparative interpretation to the substantial changes in the living space of Moscow that were witnessed by Walter Benjamin.
A Day of the World (Den’ mira) was a documentary volume, published in 1937, that was intended to provide a snapshot of the entire globe on a single day, September 27, 1935. The tensions within and around A Day of the World capture some of the basic contradictions in socialist realism, the official aesthetic method of Soviet art: between publicity and intimacy and between the dream of synchronous, global revolution and the aberrant temporalities of individual experience.
In the present article, the main principles of the reforms in Revolutionary Russia in the sphere of art are analyzed through the example of the reorganization of the Higher Artistic School of the Imperial Academy of Arts of St. Petersburg into the Free Art Studios (Svomas). The studios were to become a tool for the transformation of the surrounding reality and for the development of the artistic consciousness of the people. The intended result of those transformations was the complete spiritual and material harmonization of society, while the perfection of artistic interpretation was to be replaced with the perfection of social living. The research presented here is based on the archival materials and is one of the very first publications on the problems associated with the reform of artistic education in the first post-revolutionary years.
The 400th anniversary of the peace treaty between Sweden and Russia has for obvious reasons been in the shadow of […]
In the much visited and favorably reviewed exhibition “Revolution. Russian Art 1917—1932” held at the Royal Academy of Arts in February through April 2017, a large number of works was displayed, borrowed from art museums all over Russia and other countries, as well as from private collections.
Lusine Djanian and Alexey Knedlyakovsky at the Bakhtin workshop shared their experiences from the art protest in 2013, in the Russian Republic of Mordovia, the historical place for those serving sentence or being exiled. And it was in this region where Bakhtin spent many years of his life when he was not allowed to live in Moscow. The protest was a direct action to support the demands of Pussy Riot-member Nadezda Toloknnikova, who was serving her sentence in prison for the action in the Moscow Cathedral of Christ the Savior.
Baltic Worlds covers; the Baltic Sea Region, Eastern Europe, Russia, CentralAsia, Caucasus and the Balkan area.