Call for Applications Transnational Perspectives on Eastern Europe and the Baltic Sea Region: Past and Present
CBEES Summerschool 2025, August 18-23 is now open for application. Apply before March 21.
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Issue 2024, 4: Download.
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Markus Huss in Memory
With deep sadness, we have learnt of the sudden death of our colleague and friend Markus Huss. 2009, we all […]
Decolonization of memory in the former Soviet spaces Introduction. Theme Section.
The section is an invitation to think further on the possibilities of implementing decolonial theory in the memory field of the countries that were dominated by the Soviet Union.
CBEES Annual Conference: “Shaping Futures: The Baltics and Eastern Europe in the World” November 28-29, 2024
The 10th CBEES Annual Conference offers a time of retrospection and a time of new imaginings – a time to […]
Margareta Tillberg in memorial
Margareta Tillberg has died, at the age of 63 years. Margareta Tillberg had a great commitment to what she did, and she still would have had a lot to give of her knowledge.
Introduction The national and gendered meanings of higher classical music education
Countries in the Baltics and Central and Eastern Europe have been called home by some of the great composers of music history, and the region hosts some of the world’s most prestigious higher classical music education institutions. Despite this fact, Liisamaija Hautsalo states in her essay, the last of this section, that the Finnish-born composer Kaija Saariaho was perceived as being from “a faraway periphery” when she moved in the classical music circles of France, Germany and the US. In a scholarly context I was recently told that (post-communist) Central and Eastern European institutions are not representative of European higher classical music education. The person making this statement obviously assumed that European higher classical music education happens in the UK, or maybe in Germany and Austria. While I did not agree, this feedback speaks volumes about how classical music and higher classical music education is constructed as belonging to Western Europe in international academic debate today. In this special section the authors wish to problematize the role of nation and gender in higher classical music education, and the classical music contexts this education operates in, by focusing on the Baltic and Central and Eastern European region. By doing so we put the assumed Western European identity of classical music and higher classical music education in question.
Baltic Worlds Roundtable.
At the upcoming CBEES Annual Conference 2024 (Södertörn University, 28–29 November) there will be a roundtable discussion on academic area studies journals related to the Baltic Sea region, Eastern Europe and Central Asia, organised by Ninna Mörner (Baltic Worlds) and Joakim Ekman (CBEES, Södertörn University).
Public Opinion in the Baltic States: Political Culture and Support for Democracy
This is a presentation of three original public opinion surveys covering the Baltic states, that were recently released in the public domain. All three surveys have been designed specifically to tap the political culture of Estonia, Latvia and Lithuania, including the Russian-speaking poulation groups and other domestic ethnic minorities.
Introduction. The politics of aesthetic historicizations and memory culture in former Yugoslavia Theme: Monuments, new arts, and new narratives
This special section in Baltic Worlds is the result of a workshop engaging with the politics of aesthetic historicizations, through the grid of the monument.
Call for Abstracts
Call for Abstracts (until January 31, 2024) for the Special Issue of Baltic Worlds "Sounds in times of war. Popular Music, (contentious) politics and social change since Russia's war on Ukraine"
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Baltic Worlds covers; the Baltic Sea Region, Eastern Europe, Russia, CentralAsia, Caucasus and the Balkan area.
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